Tag Archives: writing

Time Well Spent: Author Sarina Bowen

One of the greatest challenges of entrepreneurship is self-management. Whether you’re an independently published author or a narrator completing projects in your home studio, you likely don’t have a boss telling you how and when to manage your working hours. There’s no one-size-fits-all solution to productivity when working from home, but the indie creator community has a wealth of collected knowledge on the topic. So, we’ll be checking in with a few productive ACX creators to see how they manage working for themselves.

First up: Sarina Bowen is the author of more than 30 audiobooks and co-host of the Story Bites podcast with producer Tanya Eby. She writes a blog, maintains an avid fan community, and manages a great-looking website and killer marketing strategy to boot. So how does she get it all done? She starts by keeping her creative time separate from her business and family time. Read on to find out how Sarina made consistency the cornerstone of her productivity.

Like so many other independent authors, my life is a juggling act between writing and business. I actually enjoy the business tasks, so when the writing is hard, I sometimes find myself poking at spreadsheets instead of adding words to my manuscript. But that’s not the most productive way for me to work, and I would often end up feeling bad about giving in to distractions.

Then I listened to Deep Work by Cal Newport (totally worth a credit!) and he touched on something that really resonated with me. I’m paraphrasing here, but he said that attention span and willpower are finite resources. As the day goes on, you’re less able to focus and control your impulses. I loved this advice, because it took away my self-judgment during those moments when I feel brain-bombed. Hey, I’m not a failure! I’m just fresh out of attention-span fuel. 

Certainly, there are authors who will argue this point. If you always do your best creative work at 2 a.m., that’s groovy, too. But the concept still holds, because it forces you to observe your capacity for focus like a happy little scientist, and then make adjustments where necessary. One author who goes into copious detail about this is Rachel Aaron in her book 2k to 10k. She actually kept a log of the hours she spent writing and how effective they were. The results allowed her to fine-tune her process and schedule.

My personal writing pattern is more tortoise than hare. I average a mere 1200 words a day. That’s four books a year. Not a day goes by that I don’t open up Facebook and see one of my friends reporting that she wrote 4,000, 6,000, 11,000 words that day. You have my sacred promise that I will never ever write eleven thousand words in a day. My brain just doesn’t move at that speed, and that’s okay.

I often tell people that novel-writing is the only kind of marathon that I will ever run. And I run a lot of them. So many, in fact, that my life can feel like a long stint on the treadmill. Even when I’ve finished a book, there’s another one waiting for me. If you want to keep up this kind of pace, you have to find ways to be kind to yourself. My friend Sarah throws herself a party each time she makes it to page 100 on her new manuscript.

My approach is a little different. I have a sticker chart, just like your average third grader. If I write 1200 words on my work-in-progress, I get a sticker in my planner. It’s hard to admit that I’m a sucker for bits of printed paper with adhesive. Yet it’s shocking how motivating it can be to chase that day’s sticker. Admittedly, I have really great taste in stickers—it’s nice to see an entire month’s worth of chickens or multicolored pencils covering the page. Jerry Seinfeld used the same approach with—gasp—red Xs on a wall calendar. Every day that he wrote a good joke, he’d make an X on that calendar. “Don’t break the chain,” he says of this method. It’s motivating to keep up your own good work, and it’s harder to look at a streak that’s broken. 

Consistency is therefore my single biggest secret. If I get that sticker by noon, I feel invincible. The key to this magic is avoiding my email inbox and social media. I’ve lost more work hours to email and Facebook than I care to admit. There are two ways that my inbox harms me: 1) FOMO. Is someone having fun on the internet without me? and 2) the lure of the easier items on the to-do list. It’s simpler to answer an email than to craft beautiful sentences or solve plot problems. But, when I avoid engaging with the world early in the day, I’m much more likely to stay in the zone and focused on my work.

And that early success is powerful. By hitting my goal, I feel relaxed and confident while I move onto other tasks, like looking after my house, my kids, my health. I can turn my attention to tidying up Quickbooks, searching for cover art, or listening to narrator’s samples. I feel good about my life on these days.

On the other hand, if I’m crawling across the word-count finish line at 10 p.m., it’s a little demoralizing. This usually happens because I fail to follow my own system. Maybe I checked my messages when I should have been writing. A single email can blow up whole my day. And by the time I put out the fires, it’s time to cook dinner and the daylight is shot.

Publishing your own work means you’ll have more of those days than an author who lets other people handle all the business challenges. Ultimately, that’s okay with me. This career is a choice, and I embrace the chaos when it comes to my door. But if I embrace it after I hit my word count goal, I’ll feel calm and in control anyway.

That’s how I get it done. With stickers. And science. And a little advice from smart people who have walked the same path.

Give Sarina’s audiobooks a listen on Audible, and take to the comments below to share your own productivity pointers.

This Week in Links: December 19 -December 23

FOR RIGHTS HOLDERS:

How I Chose a Narrator for My Audiobook – via Josh Steimle – Josh provides great advice on how to pick the right narrator for your project and how to choose when you receive numerous auditions.

Build An Epic Visual Strategy for Your Author Brand – via Your Writer Platform – Branding has become as important as the words contained in your book. See how to properly brand yourself to ensure you reach your target audience.

What Are You Thankful For? (Here’s Why Each of Us Is a #ThankfulWriter – via Writer’s Digest – Tis the season to be thankful for all the things we have. Take a moment to reflect on what makes you a #ThankfulWriter.

Is Your Plan For Success “I Just Want to Write My Books”? – via The Book Designer – Marketing a book once it’s completed can sometimes be harder than actually writing the book.  TBD has helpful advice for what happens after “The End”.

FOR PRODUCERS:

9 VO Hacks to Sound Better and Save Money – via Voices.com – Who doesn’t want to sound better while being more productive and saving some money all at the same time?

A Client’s Guide to Selecting the Right Voice-Over Talent for Your Project – via Debbie Grattan – Getting picked for a project can be difficult. Check out this great article about how to turn that audition into an offer.

Drink Up for A Better Voice – via VoiceOverHerald.com – Magic potions, snake oil, bizarre concoctions? Nothing works better for your voice than a tall glass of H2O. Discover the benefits of being (and staying) hydrated.

4 Ways To Get From Good To Great – via Nether Voice – Paul shares tricks of the trade that you might have overlooked or never thought of that can make you a better narrator.

ACX Storytellers: MCA Hogarth

ACX author M.C.A. Hogarth currently has 15 titles for sale on Audible, and has hit upon a ‘novel’ way to fund her audiobook productions and market her titles at the same time: Kickstarter! Today, we’re talking crowdfunding and how listening to her audio versions inspires M.C.A.’s next title.

Hi M.C.A. Tell us about your current audiobook project on ACX.

I’ve got quite a few irons in the fire! My space opera adventure Earthrise is in the approval queue now, with a science fiction short story collection, a novella and one fantasy short in the production phase, all with actors I’ve found through ACX.

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ACX Author M.C.A. Hogarth

Why did you decide to produce audio versions of your titles?

Fellow indie author Meilin Miranda mentioned her positive experience with ACX, so I decided to investigate and maybe test the waters with one of my shorter works. I’d never listened to an audiobook before, so I wasn’t sure what to expect of the auditions. But I was blown away by the experience of hearing an actor interpret my works. In some cases, I learned things about the piece I hadn’t realized until someone else emphasized things I might not have noticed.

Has having your audio version produced changed the way you see your books, or the way you write?

I joke with my readers that there was MCAH writing before audiobooks, and MCAH writing after—that’s how big a difference it’s made! For instance, Jim McCance, who narrated my fantasy short “Fire in the Void,” made the anger of the narrator so palpable that I realized he wasn’t done yet—and that spawned an entire new novel!

Constructed languages are also a big feature of my science fiction and fantasy, and hearing actors take on that challenge has been instructive. Moe Egan‘s pronunciation of the alien words in “Freedom, Spiced and Drunk,” was so foreign to the way I heard it in my head that I realized there must be other populations on that world who speak the exact same language, but with an accent so different it would feel like a language barrier to the characters. That became a major plot point in my Stone Moon Trilogy.

This doesn’t even count the times when having an audiobook performance of a piece has driven me to write more in that setting, just to hear the actor continue to voice those characters. These days I try to schedule my projects so I’m approving audio in a setting that I’m also writing in, just for the way it makes me eager to get back to the keyboard.

You’re known for using the crowdfunding website Kickstarter for your audiobook productions. Tell us about that.

I use Kickstarter as both a marketing and funding platform for my audiobook editions. Because my work has been solely available in print or e-book prior to my first audiobook a year ago, my fanbase primarily consists of people who prefer those formats. Many of them are delighted to learn I am branching out! Now, when I use Kickstarter to raise funds for my print editions, I fold the audiobook edition in as a stretch goal, which gives me the opportunity to both gather money to pay my actors and give my readers a chance to listen to the audiobook edition and maybe become listeners as well as readers. Amazon’s Whispersync for Voice has been very useful in that regard.

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To date, I’ve run seven successful Kickstarters (out of seven!). In fact, my best-selling audiobook is the recording of my book on how to use Kickstarter! I wrote From Spark to Finish: Running Your Kickstarter Campaign to help other people succeed with their crowdfunding dreams and decided to produce it as an audiobook when I read that nonfiction is the fastest growing market segment in audio. That’s definitely so in my case!

What advice do you have for other authors who are considering having their titles produced as audiobooks?

Be brave! Don’t wait for your actor to come to you. Go hunting for your voice. And most importantly, be mindful of your budget. There are so many amazing actors out there you can easily overrun your budget paying for their time!

What’s your next project, and when will we see it on ACX?

Next year I anticipate having another five or six fantasy and science fiction titles available, including my award-winning short “In the Line of Duty.”

Thanks for sharing, M.C.A.

Have you experimented with crowdfunding your audiobook productions? Tell us in the comments.