Tag Archives: toni dwiggins

Yesterday, we spoke with author Toni Dwiggins about her award-winning forensic geology title, Badwater. Today we check in with ACX producer Christine Padovan to hear her side of the Badwater story, and to get some amazing pieces of advice for producers and authors alike.

Hi Christine. Tell us a little about yourself, and your current audiobook projects.

I grew up in New Jersey, near historical Basking Ridge and did my degree in clinical psychology at NYU in New York City. I played and performed on the violin through my early 20’s and fell in love with books from the time I learned to read. Interestingly enough, I was narrating children’s books to kindergarten children when I was in 4^th grade in a volunteer program at school.  So I guess I started narrating at a very early age and didn’t pick it up again till 2011 after my introduction on ACX.

I recently  completed Her Marine which is book 5 of the Always a Marine series written by Heather Long; I’m narrating debut fiction novels for two new authors (Kyrathaba Rising by William Bryan Miller and Voodoo Moon (Paranorm World) by June Stevens/DJ Westerfield); book 3 of The Dragoneers series by M.R. Mathias, and continuing the Always a Marine series with books 6 and 12, next in line to record and produce.

What attracted you to Badwater?

I actually love mysteries and thrillers, so after meeting Toni through a self-published writer’s blog by D.D. Scott, and answering some of her questions on audiobook narrating, I auditioned for Badwater. After she and I tweaked character voices and got pronunciations down in an indexed list Toni provided, we were off and running.

What have you done to market Badwater?

I’ve done opted-in email blasts through www.targetedemailads.com; I’ve used Google ads as well as tweets and Facebook posts.  I Googled my name back in late May 2013 and found out through Goodreads that eFestivalofWords.com had nominated Badwater in the ‘Best Audiobook’ category.  So I told Toni, and we took advantage of the nomination to promote the book harder by posting our nomination logo, then our Finalist badge logo – and eventually, our Winner’s badge logo!  The San Francisco Self Published Writers group that Toni is part of also helped plug the book when we were nominated, then won the award.

That’s pretty exciting stuff! How did it feel when you found out Badwater had been nominated for “Best Audiobook?”

It felt great to be nominated, become a finalist and then actually win ‘Best Audiobook’ for 2013!  This was the first year that eFestivalofWords.com (for the Best of the Independent eBook Awards) actually had an Audiobook category.  They based their nominations on the book’s quality in its editing, cover art, styling, and recognition from other critic and reader reviews.

What advice do you have for authors who are considering having their titles made into audiobooks? 

Make sure you have the audio rights to your title or titles.  Check your contract with your publisher or agent for that book or books, and see who owns the audio rights. If you own the audio rights, post your work on ACX and search for voice types that you feel would fit the style and genre of your work. Listen to narrator samples and see how experienced the narrator is in audiobook production.  It’s O.K. if you wish to try out someone new, but asked for audition samples and check if you like the quality of their recording.

I also want to caution authors that want to rush the audiobook production of their work: taking the time to find the right narrator is far better than rushing to get your title online, then being disappointed with the final product.

Lastly, audiobook sales differ greatly from ebook/Kindle sales of the work.  For example, people are pickier in paying for an audiobook than only paying $.99, $1.99 or even $3.99 for the text version.  If they are going to spend money on an audiobook, they have to like the book’s retail sample (does the narrator’s voice make them want to buy it?), the subject matter and possibly the genre of the book before taking a chance on a new work where the author may not be well known to the public.  More people will go for ‘household’ author name first as a safety net, before taking a chance on a new writer.  So having the dollars set aside to really market the audio version to increase sales is vital as well.

Any advice for those new to audiobook narration/production?

For talent starting out in audiobook narration, you don’t need to have expensive equipment to get the job done.  A Zoom H4N digital recorder with phantom power and XLR ports for my RODE NT1-A condenser microphone and a clothing filled, relatively soundproofed, square 4’x6’ walk-in closet helped me produce over 25 titles on ACX and Audible.

I would then transfer my 44.1/16 bit WAV files from the Zoom to my laptop for editing in Audacity.

Creating an audiobook is not for the faint-hearted!  It is many hours of your time – to learn narration first from a seasoned narrator and to then make sure you have the resources to either rent studio space or create your own to record in. Then, there’s the time it takes to record the book (roughly double the running time to record it and triple the running time to edit it). You’ll either pay an engineer to edit and master your WAV files into broadcast quality MP3s and/or spent the time and money to do it yourself.  It is far better to learn to edit and engineer yourself, as you can be sure there are no mistakes left behind in your recordings. And in the end you will feel so much better, knowing you helped take someone’s ‘baby’ and give it another life as an audiobook

The best advice I ever heard was to take a book, sit in a closet with a light on, close the door behind you, and start reading it outloud – try doing that without a break for about 30 minutes or so.  Are you comfortable?  Do you think you can do that for 4-6 hours a day, 5 days straight – with 2 days rest in between?  If you feel you can comfortably be in a tight space, whether it’s a closet or studio booth, and narrate out loud for long lengths of time (with apple slices, bottled water, lip balm, snack breaks, etc. to keep you going), then congratulations!  Narrating is for you!

Thanks for the tips, Christine!

What are the secrets to your ACX success? Tell us in the comments!

ACX Author Toni Dwiggings and producer Christine Padovan joined forces to produce the audio version of Badwater, which went on to win the Best Audiobook award at the 2013 eFestival of Words “Best of the Independent eBook Awards.” We recently spoke with Toni and Christine about their experience producing Badwater through ACX. Read Toni’s interview below, and check back tomorrow for our chat with Christine.

Hi Toni. Want to tell our readers a bit about yourself?

I’m a third-generation Californian who migrated from southern Cal to northern Cal. What I like most about my state is that one can go from the ocean to the mountains in one day, with a lunch stop in the desert. I like it so much I’ve set my forensic geology books in those settings.

I’m author of a US History textbook, and have contributed to texts in the sciences. I’ve done tech-writing for the Silicon Valley computer industry, and that experience hatched an idea that became my first novel, about an attempt to sabotage the nation’s telephone system.

What drove you to have an audio version of Badwater produced?

I’ve long been an audiobook fan. The idea of listening to my book, as I’d listened to other books, was a thrilling prospect. Also, my daughter was a five-hour drive away at college and I thought, what better way for HER to pass the time than to listen to Mom’s book as the miles pass?

From a marketing standpoint, I was eager to get my book out there in multiple formats. Amazon has a terrific program called Whispersync for Voice, in which a reader/listener can switch back and forth between reading the book and listening to the audio version.

How did you hear about ACX as an avenue for your audiobook production?

On a writing forum, wherein authors endlessly discuss ways and means to reach readers—and listeners! On the audiobook threads, ACX was mentioned again and again as an accessible way to get a professional job done. Because I hold the rights to my books, I was able to be proactive in getting my book produced.

ACX Author Toni Diwggins

What have you learned about the audiobook production process though ACX?

How diligently a narrator works to get the pronunciation right! My book is a science thriller, aimed at a general audience. However, the geologists and radiation workers, aka radworkers, know their stuff and speak accordingly. Christine and I decided to meet so I could pronounce some of the technical terms, so she could hear that tech-talk rhythm. We both live in the San Francisco Bay Area and so we met at an SF café.

Christine: “Is the ‘i’ in travertine long ‘i’ or ‘ee’?”

Me: ee.

Christine: “Is the second ‘t’ in strontium a hard ‘t’ or a ‘sh’?

Me: (realizing this woman had done her homework!): let’s go with the hard ‘t’ because that’s the way my radiation experts pronounce it.

And so on, with americium, caesium, plutonium, all those oh-my-God-iums. And it was partway through the pronunciation of nuclear fission products that I noticed that people at nearby tables were listening. Looking at us. A couple of hands resting on cellphones. Were they going to call Homeland Security?

Has having your audio version produced changed the way you see your book? Has it affected your writing? How?

Oh yes. Listening to the narration was a cracker jack way to analyze pacing and dialogue—lessons that I’m applying to works-in-progress. I’m also more acutely aware of how to translate the character voices I “hear” to the voices on the page—so that the voices come across as I intended.

Congratulations on winning the award for best audiobook! How did that go down?

Badwater’s nomination came as a surprise. Christine learned of it (if I recall correctly) when she saw a post on Goodreads. She emailed me, and my response was along the lines of WOO HOO! When listeners voted it best audiobook, I was thrilled that the story was reaching this new audience.

What’s your next project, and when will we see it on ACX?

The next book in my Forensic Geology Series: Volcano Watch. As soon as Christine and I can find time to get to work!