Tag Archives: scott brick

Audiobook Advice from Hall of Fame Narrators—Part Two

On Sunday, as part of their 20th anniversary celebration, Audible announced the inaugural inductees of the Narrator Hall of Fame. This week, four ACX Producers receiving this honor are sharing their reflections and their advice to future inductees. Today, we’re joined by Scott Brick.

Hall of Famer Scott Brick

Being told I’ve been elected to Audible’s Hall of Fame is easily the most surreal experience of my life. As a sports fan, I’ve grown up in awe of the men and women worthy to be designated Hall of Famers, but never anticipated the possibility of it happening in my life. And while I don’t feel even close to worthy, I am nevertheless grateful, hugely grateful for the honor. Like my peers, I didn’t come into this industry for accolades. We work in isolation, after all, reading alone in a room, unconnected to the listening audience.

And in some ways, I try to maintain that isolation. I think it helps me, I think it can help all of us. Don’t get me wrong, I love a nice review like anyone else, but I try not to read them, because good or bad, they’re one person’s opinion. If you’ve spent any time in Hollywood, you’ve likely heard the saying, “Oh, he believes his own press.” Staying away from listener reviews or blog sites keeps me from doing that, but also protects me from getting bogged down by negativity.

Yes, ours is a profession that relies heavily on self-promotion, so it’s a fine line to walk, but I try to navigate it as best I can. I will absolutely post the occasional rave for a project I’ve worked on, but I do so primarily to help publicize the book, as well as to honor the author and the publisher, and show my appreciation for the faith they’ve shown in me. That’s both good manners and good business. Beyond that, though, I try not to pay attention. While speaking at a conference a few years ago, a fan approached me on the street and asked how many narration awards I’ve won, and I told her truthfully, “I don’t know.” I kinda don’t want to know, you know?

When I was in my twenties I got the chance to work with a well-known actor, and in a quiet moment I asked him which of his many roles was his favorite. His response? “My next one.” That taught me a valuable lesson and has been an example I’ve tried to follow. I have never once forgotten what it felt like to walk into Dove Audio in Beverly Hills all those years ago for my very first narration job—on June 10, 1999; yes, I wrote it down! Although I had already booked the job, I nevertheless knew that my work in the studio that day was an audition: I was auditioning for my next job, and I have been ever since.

Thank you, Audible. It’s been a lovely twenty years, and I am deeply grateful.

Scott Brick can be found at ScottBrick.net, and you can listen to one of his 683 audiobook roles on Audible.

Tomorrow, ACX Storyteller Luke Daniels stops by to share his thoughts.

ACX and Voice 2014 Team for Audible Studios Casting

Audible Studios and ACX are kicking off our latest casting call. This time, we’re teaming up with Voice 2014, one of the LA area’s top voiceover industry conventions, taking place in Anahiem, CA August 27 – 30 2014.

VoiceButtonThis casting call gives actors attending Voice 2014 the chance to audition for Audible Studios’ Grammy-winning team of producers, as well as one of the audiobook industry’s top talents, Scott Brick. Male actors can audition for the opportunity to voice Build for Change by Alan Trefler. Female actors can audition for Pivot Points by Julia Tang Peters. Both titles are non-fiction, and require an instructional read appropriate for newbies and veterans alike.

Both titles pay a per finished hour rate commensurate with the actor’s experience. Build for Change will having an estimated running time of 6 hours, and the contract is valued at roughly $1,200. Pivot Points will have a running time of about 10 hours, and will reward the female winner a contract worth roughly $1800. The contract is for narration only; all editing and post production will be handled by Audible Studios.

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Actor and casting call judge Scott Brick

To audition, visit ACX.com and create a free account. Auditions are open to attendees of Voice 2014 from Friday August 8th at 9 AM ET – Monday, August 25th at 11:59 PM ET. The selected actors will be announced during Scott Brick’s audiobook panel at Voice 2014 and right here on the blog.

After submitting your audition, browse over 4,600 additional titles open for audition on ACX and find your next audiobook gig. We can’t wait to hear your voice!

The Great ACX California Adventure

We’ve just returned from Tinseltown, meeting producers and actors at That’s Voiceover, the one-day voiceover acting career expo, at the beautiful Director’s Guild of America in Hollywood. Over the course of a whirlwind day, guests attended panels on how to work the mic, presenting from the red carpet, and making a living with audiobooks, hosted by ACX.

Audible VP and head of ACX Jason Ojalvo moderated narrators Scott Brick and Shelby Lewis as they gave their best tips for breaking into the audiobook business and succeeding. If you couldn’t attend, here are a few of our favorite insights.

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Photo credit: Jeff Fasano

Breaking into the Industry

Shelby’s and Scott’s paths to success in the audiobook industry were very different. For Scott, “it [was] all about getting the audition.” The right contact lead to the right book that helped him get his next gig, but he added, “14 years later, it’s so much easier. You make a demo, you put it on ACX, and you can get a job the same day.”

“Once you get your foot in the door, you tend to stay in the room,” agreed Jason.

Shelby was discovered by Audible in 2011 by submitting her wild and crazy audition for Lewis Carroll’s Alice in Wonderland during that year’s That’s Voiceover audition contest. Her first audition led to more projects through both traditional audiobook publishers and ACX. “It’s truly a 9-to-5 job whether you’re in a closet or a studio,” she said.

On Acting Versus Storytelling

Scott and Shelby also discussed two approaches to their narration technique. For Shelby, she likened it to choosing between performing sitcoms and Shakespeare. “It’s not that one’s better than the other. They’re just different.”

Scott added: “It’s all storytelling. Doing an audiobook is like shaking hands. Two people do the work. What I’m doing when narrating the book is asking the listener to take me by the hand and work with me. If you’re authentic, that’s what matters.” When asked if he ever performs character voices, he recommended bowing to the context and genre, and if it’s called for, meeting the challenge enthusiastically.

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Photo credit: Jeff Fasano

Preparation and Recording Advice

In the booth, Shelby shared a tip she’d been taught by Scott on good hydration: “Take a sip of water after each page, even if you’re not thirsty,” reminding that dehydration can take hours to overcome.

Scott also recommended using printed manuscript pages in the booth to perform because that helps keep track of how far he’s read and reminds him to take breaks. On an iPad, he can scroll for long periods before realizing how much time has gone by. He also recommended no more than two pages on your mic stand to prevent your voice from straying too far from the mic as you read the first and third pages.

Jason’s advice on preparation was to read the text before beginning your record: “You don’t want to find out on the last page that your English detective was actually Scottish.”

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Photo Credit: Hannah Wall

We truly enjoyed meeting so many of you at That’s Voiceover and hearing your success stories! We’ll leave you with one last photo: no trip to California would be complete without a requisite stop at world-famous In-N-Out Burger.

What’s your best tip for those just breaking into audiobooks? Tell us in the comments!