Tag Archives: DIY audiobook

Celebrating 10 Years of Storytellers: Narrator Karen Commins

We’re celebrating the 10th anniversary of ACX this spring by sharing career journeys from some of the amazing indie creators who have used ACX to share their stories with the world over the last decade. Read this blog series from the beginning, or read on to hear from our next celebrated storyteller—narrator, producer, and expert audiobook educator Karen Commins.

When did you know this was what you wanted to do?

Beginning in fifth grade, I knew I wanted to do voiceover work. I started listening to audiobooks in the 90s when I was already volunteering as a reader for the Georgia Radio Reading Service, and decided to become a narrator. In 1996, I wrote to Frank Muller, who was one of the industry’s titans. I found his contact info and sent him an email with just a few questions, like how he got his work and whether he worked at home or in a commercial studio. He very kindly replied with enough info and encouragement that I knew I could do it.

Fast forward to 2013—after working consistently through ACX for a couple of years, I made what some would call a radical career decision. I wrote to my 3 commercial agents asking them to remove me from their rosters, explaining that I wanted to devote all of my attention to audiobooks. I left online groups that discuss any voiceover topics that weren’t specifically about audiobooks and I changed my website to remove demos for and testimonials from corporate clients.

This eliminated the distractions of commercial auditions, developing marketing campaigns for corporate clients, updating 2 versions of my website, and wasting energy comparing myself to other voice talent and pressuring myself to make my career look like theirs. My life revolves around audio books, and I couldn’t be happier!

Karen’s journal entry celebrating her first ACX contract in 2011

How has ACX affected your journey, and what would you recommend to first-time narrators as far as learning about their craft and the industry?

Although I had narrated a few audiobooks, taken a workshop with Pat Fraley, and attended APAC and two APA job markets, I couldn’t get traction with publishers. Most recorded in LA or NY, cast local talent, and didn’t hire narrators with home studios. I will always remember the excitement I felt in January 2011 when Audible invited me to be one of the beta testers for its new site, acx.com—the fact that I had a home studio was a key reason they chose me. The audiobook world opened up for me that day!

I devoured everything on the site. I didn’t —and still don’t—audition for every title. Instead, I carefully choose the titles for audition to suit my voice, style, and interests. I recommend that newcomers do the same to build a portfolio they’d be proud of. I continue to watch ACX University videos and read all of the help articles to maintain an expertise about the site and narration resources.

I advise newcomers to listen to good audiobooks every single day. Read AudioFile Magazine and choose award-winning audiobooks in genres you like and want to perform in. I’m not just listening for the story or entertainment, I’m critically listening to hear:

  • How is the narrator phrasing the words?
  • Do the character voices sound like believable people or cartoonish caricatures?
  • How did the narrator interpret the book differently that I might have done?
  • Are any words mispronounced?
  • Can I discern where a correction was inserted?

Continuing coaching in audiobook performance is essential regardless of your background. Audiobook narration is an intimate medium with acting requirements that are unlike any other role. A list of vetted coaches is available on NarratorsRoadmap.com.

You can learn so much from being active in the narrator community. I joined the Facebook group Indie (ACX and Others) Audiobook Narrators and Producers and started answering questions about ACX from other narrators. After a while, I created this FAQ for the group. You do need to be wary about the online advice you accept. I’ve seen other Facebook groups and some on Reddit where veteran narrators participate, as well as many more that don’t include any experienced voices in the membership. You need to observe the group interactions to discern the professionals who consistently dispense advice that you can trust.

Road to Tara: The Life of Margaret Mitchell was a Voice Arts Awards finalist

What’s your favorite thing about being an independent producer?

During my previous 30+-year career as an IT specialist at everyone’s favorite government agency, I arose before dawn and drove to an office 30 miles away in Atlanta rush-hour traffic in all kinds of weather. Once there, I worked diligently on management’s priorities and solved problems with users’ hardware, software, and data.

Now, I’m grateful every day to enjoy such tremendous freedom! I only do work that is meaningful to me. I plan my work around my life rather than planning my life around my work, and I don’t need anyone’s permission to submit audiobooks I’ve published for review and award consideration. AudioFile has reviewed my work three times, my audiobook Road To Tara: The Life of Margaret Mitchell by Anne Edwards was a finalist for the Voice Arts Awards, and my audiobook So Big by Edna Ferber was a finalist for the Independent Audiobook Awards.

So Big was a finalist for the Independent Audidbook Awards

Who was most instrumental in getting your career going (besides you)?

I am beyond blessed and exceedingly grateful that my husband Drew, who is the hero of my life story, has been a full partner in my career since day one. He’s helped me in big ways, like agreeing we should get a home equity loan and construct an addition onto our previous house for my recording studio. He’s helped me in small ways, like listening to scenes and helping me select one to perform during classes. He directs all of my recording sessions, he maintains my websites, updates my mailing lists, and most recently, he disassembled my WhisperRoom booth and assembled my new Studiobricks booth!

How has your career grown since first coming to ACX?

Being an audiobook narrator fulfilled a life’s dream, but I’ve learned that it too narrowly defines me and what I’m capable of and interested in doing. In the last 10 years, I’ve become a leading expert on audiobook production, especially when using ACX.

I’ve written articles for the ACX blog about marketing (here and here) and performing audiobooks. I’ve also written my own blog, contributed to other sites, been a featured guest speaker on an APA webcast along with numerous videos and podcasts, and I’ve presented sessions at Johnny Heller’s Splendiferous Workshop and APAC. In 2018, I participated on ACX’s panel for VO Atlanta, where we discussed “Creating Your Audiobook Career,” and later that year, I was a guest on ACX University where I talked about “Acting With Intention.”

In 2019, I launched my own site, NarratorsRoadmap.com, which is the destination for narrators of all levels! It contains original content, a curated list of links to an incredible array of resources, color-coded calendars for eight types of worldwide events, a reviewers directory searchable by genre, and several exclusive video courses.

To celebrate my 10 year ACX-iversary, I developed and taught a three-hour webinar for VoiceOverXtra a few months ago titled “Put Yourself in the ACX Drivers’ Seat.” It includes 90+ slides and an extensive list of resource links to help narrators make an appealing profile, search for and vet titles and Rights Holders in the system, communicate effectively, and establish effective work flows. The recording and materials are available on my Shop page.

Another journal entry depicting Karen’s dashboard when it reached 10,000 units sold in 2014

What important connections have you made on ACX?

The entire ACX staff has been unfailingly kind and helpful to me in all our interactions, and Debra in Support deserves special mention. I’ve met so many publishers and authors through my auditions and narrations on the site that I can’t possibly list them all!

I joined the Facebook group I referenced shortly after it began in 2013. Originally, it was a group devoted to narrators on ACX, and it has grown to over 8000 members. I can’t say I’ve met all 8000+ people, but the number of narrators I know through that group is staggering. A few of those folks are now among my most cherished friends!

How do you define success in your career?

I’m doing creative work that matters to me and helps other people. I would say I’m wildly successful!

What’s the most important thing you’ve learned about the industry since getting started?

The audiobook industry and my previous IT career in the federal government share many aspects—you’re expected to conduct yourself in a professional manner, which includes showing respect to other people, keeping the team informed about the status of your projects, undertaking training on an ongoing basis to maintain and improve your skills, and meeting or beating your deadlines.

A major difference for me has been learning to stop comparing myself to other narrators. I admit that I still sometimes struggle with this issue! We may all be headed in the same general direction, but we have different missions and are on completely different paths to get there. I love this quote from Ernest Holmes: “We should never watch to see what another is doing or how he is doing it, for when we do this, we are limiting our own possibilities to the range of another’s vision.”

What do you aspire to next?

I always have short, medium, and long-term goals. As a narrator/producer/publisher, I’ll soon start recording a wonderful autobiography that I excavated from the public domain. Later on, I’m planning to license the audio rights to some more titles that I want to narrate, produce, and publish. I’m also eyeing two books with the hope of producing full-cast audiobooks from them.

NarratorsRoadmap.com is fast becoming my life’s work! Drew and I are constantly updating the site. I’m planning some more articles and video courses, and we’re currently building a mammoth casting directory. Stay tuned!

You can find Karen Commins on her website, or access her wealth of educational resources for all narrators at NarratorsRoadmap.com.

Keep an eye on the ACX blog for more career retrospectives from ACX’s finest!

Celebrating 10 Years of Storytellers: Producer Tanya Eby

This spring marks 10 years of ACX, and we’re celebrating a decade of authors and narrators telling stories their way by sharing the career journeys of several amazing indie creators. Read this blog series from the beginning, or read on to hear from our next celebrated storyteller—quadruple threat author-publisher-producer-narrator, Tanya Eby.

How did you become a narrator/producer? 

That’s a really long story and includes a fair amount of missteps and embarrassment. Once I’d recorded about 300 books at a studio, ACX launched, and I knew I could produce audio on my own. I’d been well-trained by all those previous books, so I became a producer/publisher and created Blunder Woman Productions. Since then, I’ve produced or published over 200 audiobooks, won an Audie, been nominated for 3 Audies, created original audiobooks with large casts, and earned Earphones and SOVAS awards. It’s been a pretty wild ride. 

How did you find ACX? 

I found ACX pretty early on when it first started. There was a competition for a book I really wanted to record that I’d heard about. I didn’t get the book (it went to a famous actor) but it did get me to jump into producing audiobooks from home instead of always going into a studio.

The Brink: Stories was Tanya’s first ACX project as a publisher and 2017 Audie winner for Best Short Story Collection

How has your career grown since first coming to ACX? 

When I started ACX, I was primarily a performer. Now I perform, produce, publish, and create original content. It’s a really satisfying career where I have a lot of creative input and control. Plus, audiobooks are now my sole source of income. That’s a pretty great gift. 

Are you a full-time narrator? 

I am. I’ve been recording audiobooks now for about 20 years, and have been recording from home for about 10. 

What’s your favorite thing about being an independent narrator? 

I can create my own schedule, control my workflow, work from home, and choose projects that really resonate with me. It’s a dream job come true.

What was your big “I made it” moment? 

The first audiobook I published through ACX was The Brink: Stories by Austin Bunn. When they read our name at the Audies for Best Short Story Collection, I know that I’d arrived as a publisher and producer. This gave me the courage to create and produce original content including short story collections and also Nevertheless We Persisted and Nevertheless We Persisted: Me Too, collections of poetry and prose that talk about getting through the hard stuff. These books involved hundreds of writers, narrators, artists, composers, musicians, and a wonderful production team. We were nominated for Audies for both productions, proving that small companies with big ideas and a community working together can have real impact on the industry. I’m so proud of those productions. 

What’s the most important thing you’ve learned about the industry since getting started?  

Tanya’s first original content production, Nevertheless We Persisted, was nominated for an Audie and inspired a sequel

You need to be self-motivated and a real entrepreneur in this career. Don’t wait for people to give you work. Create it.

If you could narrate any book ever, what would it be? 

Ooooooh! I love this question! I would love to narrate The Accidental Tourist by Anne Tyler, The Virgin Suicides by Jeffrey Eugenides, and anything by Shirley Jackson or Stephen King. 

What do you aspire to next? 

I’d love to work on some more original content. I have a lot of connections with the writing community and the audiobook community, and it’s a wonderful thing to bring these two worlds together. 

You can find Tanya Eby on her website, Facebook, or on Twitter and Instagram @BlunderWomanPro. Return to the blog next week for more stories of ACX creators making their mark on the world of audio.

Celebrating 10 Years of Storytellers: Author Aleron Kong

It’s ACX’s 10th anniversary this spring, and we’re marking the occasion by sharing the stories of amazing independent creators that make this a milestone worth celebrating. Start reading this series from the beginning, or read on to hear from our next celebrated storyteller, author Aleron Kong.

How did you become an author?

I started writing for me. I never thought it would go anywhere. It was more of a psychological exercise than anything else. But I had found LitRPG, which is my genre—literature role playing games. It’s only been around in the States for about four years, and I found it around three and a half years ago. And when I found it, it was like, “Where have you been my entire life? Like video games and sci-fi fantasy??” At the time, there were only like four books available in English because it started either in Russia or Korea, so I was bemoaning the fact that there was nothing more to read one day and I was like, “Well, why don’t I just give this a shot?” I wrote six books in 14 months, and then the seventh one – I wrote that a year later and it weighs five pounds. 

You went from being an audiobook skeptic to being a champion for the audio format, with audiobooks outselling print books! What role did ACX play in helping you to make that leap?

I knew nothing about audiobooks before I became an author. I had only listened to one—Lord of the Rings—in my life, and honestly, while it was nice hearing the story, it felt a bit dry. And at the time, that felt right because that was just the accepted “right way” to create an audiobook. The more British the better. Because of that, I thought audiobooks were just a different way to read a book. I didn’t understand yet that audiobooks could be an artform in and of themselves, the same way music videos in the 70s and 80s could transcend the song. Nick [Podehl – narrator of The Land series] was able to elevate my words and worlds in a way I could not do alone. That is the blessing and wonder of working with another talented artist who is willing to share their gift.

I didn’t have a master plan when I started, but the worlds I create are as precious to me as a family member. One you actually like. It was only because of my partnership with Nick Podehl and ACX that I was able to push boundaries and make something incredible. Even including sound effects, something that has become the standard for my genre of LitRPG, was considered a big risk several years ago. It had been done before, but I was told I might alienate half of my listeners, as it wasn’t something they would be used to.

Book one of Aleron’s popular series The Land, narrated by Nick Podehl

The people at ACX have created a model that provides the opportunity and support a motivated person requires to reach great heights.  Rather than try to convince me of the “right way” to do things, the feedback I got was that if I wanted to take a chance, ACX would help as much as they could. The connections I’ve made with ACX have played a huge role in my success. Whether it be advice, internal support, marketing, or hard work, it has been a joy to have a partner in connecting with my fans.

What was your big “I made it” moment?

It’s an interesting question. I have hit several big milestones because of my awesome fans—The Land saga is a WSJ bestseller, has sold over a million copies, has more than 100,000 five-star reviews, and became Audible’s Customer Favorite of the year, reaching the Top 5 on both Audible and Amazon.

But with all of that, I remember sitting on a panel with Jim Butcher—I introduced myself, sharing all of those facts, and the fact that I was a physician, and I got applause from the crowd. Then I handed the microphone to Jim. He said, “I’m Jim Butcher,” dropped the mic, and the crowd went wild like Aerosmith just rocked the Garden, lol.

So basically, I feel very happy with what I’ve achieved, but I know I still have miles to go before I sleep.

What important connections have you made on ACX?

I have met many amazing people, and Debra in the ACX call center would be towards the top of the list. Not only is she amazingly helpful, I always end our calls with a smile on my face. It’s nice to have our interactions be friendly as well as professional.

What’s your most essential piece of writing “gear?” What do you have to have around when you’re writing?

From what I hear, I’m very different than most authors. I write anywhere, at anytime, and have no issues devoting three days to perfecting a cookie recipe or hiking instead. My fans do not generally like that I have an active life outside of the books (lol), but the energy I can bring to the page is fueled by the moments of my life that I’m not typing.

Aleron’s latest audio release, God’s Eye, narrated by Luke Daniels

Any particular or weird habits you have while you’re writing?

Too many cookies. Cookies feel like love. Cookies are evil… and I love them.

What’s your favorite thing about being an independent author?

Freedom!

What does being an independent allow you to do that you couldn’t otherwise?

There is no oversight on your words, and you don’t have to delay a launch by 1-2 years like many traditionally published authors.

If you could have anyone in the world narrate a book of yours, who would it be?

Ricky Gervais.

What’s your dog’s name?

Chewbacca.

What do you aspire to do next?

I would love to make the leap to the screen—either big or small, live action or anime. I feel that my story would translate well to nearly any medium.

How do you define success in your career?

I have two definitions: 1) Am I making enough money to live the life that I want to live? 2) Am I making a difference in the world in a way that I am proud of? And the answer to both questions for me is yes.

You can find Aleron on his website, and check out this panel he did for VO Atlanta with narrator Nick Podehl on successful collaboration between authors and narrators. Keep an eye on the blog for the next ACX creator to get the storyteller spotlight!

Celebrating 10 Years of Storytellers: Author Amy Daws

This spring, we’re saying cheers to 10 years of ACX by shining a spotlight on the amazing creators that make this a milestone worth celebrating. Check out the first post in the series if you missed it, or read on to hear from our next celebrated storyteller, author Amy Daws.

How did you become an author?

My first book was a memoir about my struggles through recurrent pregnancy loss. After that, I got the writing itch and took a turn into the world of romance novels.

Are you a full-time author? 

Yes, I have been for nearly four years now.

How did you find/come to ACX? 

I’d heard through various author channels that ACX had a royalty share option for authors and narrators to collaborate, so I didn’t have to invest money in a narrator up front for a format I was unsure I’d be successful in. Splitting the earnings with a narrator felt like a win-win situation!  

Has your career grown since then? 

One hundred percent. I used to only be able to afford narrators willing to do Royalty Share and now I am happy and willing to pay the full per finished hour rate for my narrators of choice. It took some time, but my audio earnings have continued to double every year for the past three years.

What was your big “I made it” moment? 

When I had a book make more in one month than I did for an entire year at my day job, I knew things had changed for me.

Amy’s latest sports romance, Replay, was released in audio earlier this month.

What’s the most important thing you’ve learned about the industry since getting started? 

Growth takes time. Both in the e-books/paperback publishing sector and in audio. You have to build that audience. Make connections. Write a memorable story and hopefully they’ll keep coming back for more.

Why are you so passionate about advocating for audiobook production?

First of all, writing a book is a lot of work. But once you’ve polished your story and made it shine, why wouldn’t you want to milk it for all it’s worth? That’s why audio is so important to me. I’ve already done the hard part—I’ve written the book. Now I need to get it out to all the major channels so readers and listeners can consume it in their preferred medium.

Not producing an audiobook is like taking a four-course dinner you worked on for hours and deciding not to serve all four courses to your guests. Someone is certainly going to leave hungry and good food will go to waste. 

The fact that there’s a service like ACX that’s user-friendly enough for someone with no experience in audio production to publish their own audiobook is all the help I need to serve all four courses to my guests!

What important connections have you made on ACX? 

My relationships with my narrators are very special. I’ve been able to meet nearly all of them in person and now we’ve worked together on so many books, it feels like they wrote the story with me. And sweet, kind Debra in ACX customer service has a special place in my heart!

What’s your favorite thing about being an independent author? 

The flexibility of my job is wonderful. I work from home, which I very quickly realized was extremely valuable during a pandemic situation. I love that I get to make my own covers and choose my own release dates. I’m not just an author, I’m an entrepreneur and I can take my career in a variety of directions.

What do you aspire to do next? 

Amy’s bestselling novel Wait With Me has been optioned for film by Passionflix.

The movie/television industry is always a big dream of mine. And with one of my books (Wait With Me) optioned for film by Passionflix, I’m super excited to see what comes of that. I have also been trying to manifest my Harris Brothers series into a TV show. I’ve been telling people that I want it to be picked up by Netflix, HBO, or Showtime and I want it to be like Ted Lasso meets Grey’s Anatomy but with more HEAT! HAHA. It’s good to have dreams!

You can find Amy & all her audiobooks on her website, check out her ACX University episode here, follow @amydawsauthor on Twitter, Instagram, Facebook, and TikTok to join her in the fun. Tune in again next week when the ACX anniversary spotlight shines on another celebrated creator!