Have you searched for an audition-ready project on ACX recently? You may have noticed a new banner labeled “Offer Pending” in your results. And if you’ve seen this new feature, you might have a few questions about it. Lucky for you, we’ve got all the answers.
Q: What does “Offer Pending” mean?
A: “Offer Pending” means the rights holder of that title has made an offer to produce it to another ACX producer.
Q: What if the offer was made to me? Will I still see the flag?
A: Nope, but others will.
Q: I’d really like to produce this book. How long does the other producer have to accept the offer?
A: Depending on the offer, the producer who received it has from 24 – 72 hours to accept or decline the offer.
Q: So can I still submit an audition even if a title has the “Offer Pending” banner?
A: Yep, you can.
Q: Is that a good idea?
A: That depends. Preparing, producing, and uploading an audition takes time. If the rights holder is negotiating with another producer, you might do that work only to find the book has gone into production. We suggest you message the rights holder to introduce yourself and request more information if you’re dead set on auditioning.
Today, we’ve got a crash course for ACX rights holders on choosing the right narrator for your book. How does an author know which voice is best to bring their work to life? We’ve got 5 tips below that you can use to hone in on the perfect producer for your title.
1. Better the narrator reads a little too slow than a little too fast.
Proper pacing for your title can be hard to nail down. Romance will have a different pace than action books or adventure novels. Different scenes within your title may require a slightly different read based on the content. But overall, it’s better for your narrator to err on the slower side than rush through the material, leaving listeners in the dust.
Listen to the following example of a passage read too quickly:
Notice how it’s hard to distinguish between dialogue and descriptive text. The poor listener is left in the dust, with no time to comprehend what’s being conveyed to them.
Now, let’s listen to the same passage read a little too slowly:
The pacing is a bit deliberate perhaps, but at least the listener can settle into the story and process what’s being read.
2. Character voices should sound natural, not over the top and “cartoonish.”
Another aspect of narration that will quickly turn off listeners is ridiculous sounding character voices. When in doubt, understated is best. Narration that hints at a new character speaking is better than a jarring change in tone. Here’s a clip of a silly, distracting character:
Yeesh! Who could listen to that for the length of an entire book? Now, let’s listen to the same clip with a more measured, understated read:
Much better. Notice how the narrator subtly hints at a change in tone, trusting the reader to pick up on the change in character. (Thanks to Victor Bevine for providing the audio examples above.)
3. Check to see if the narrator has other audiobooks on Audible, and read the reviews.
Proper pacing and character voices are definitely an art, and you shouldn’t feel bad if you’re new to audiobooks and unsure what sounds best. If that’s the case, we recommend you take advantage of the combined knowledge of Audible’s listeners! If the narrator has books already for sale on Audible, check the reviews of those titles. The “What Members Say” section can be found on each title’s product detail page, under the “Publisher’s Summary” section.
Note that Audible has ratings and reviews specific to performance, not just for the story itself. You can also scroll down further and read opinions from individual Audible Listeners. Many are as attached to their favorite narrators as they are their favorite authors!
4. Ask for your fans’ opinions.
Author Hugh Howey linked his fans to the ACX sample search and asked for suggestions. If you’ve already started receiving auditions, you can download them from ACX, post them to your website using a service like SoundCloud, and poll your readers with easypolls or another free online polling tool.
This is also a great way to build some advance buzz and get your fans excited for your upcoming audiobook!
5. Trust your instincts
You know your book better than anyone. If something doesn’t sound right to you, it probably won’t sound right to others. If you’re unsure about a particular voice, use ACX’s sample search to invite a few of our 15,000 narrators to audition for your book. We’re confident that the perfect voice on ACX, ready to narrate your title!
How do you find the perfect voice for your title? Tell us in the comments!
We’re back with the next entry in our ACX Studio Gear series! We covered microphones and preamps in part 1, and today we’ll get into the recording software that you’ll use in conjunction with that hardware, as well as provide the pros and cons of some of the most popular options.
DAW Things Considered
DAW stands for Digital Audio Workstation, and we like the definition and history provided by Sweetwater:
[DAWs] are typically defined as having some ability to record, manipulate, and play back audio recordings or samples. In their early days DAWs were primarily considered editing stations. Material was taken from the primary recording media (usually tape) and dumped into one of these systems for editing, and then returned to the original media for the remainder of the project. Nowadays DAW’s can act as an entire recording studio with all mixing, processing, and mastering on one computer.
What To Buy
There are many DAWs available for purchase, and choosing the right one can feel overwhelming. It’s important to remember that many of these programs are created with music recording in mind, and you likely won’t need all the bells and whistles for your voiceover work.
Andrew Grathwohl, ACX‘s newest Audio Production Coordinator, has some advice on what to keep in mind when choosing a DAW:
The most important aspect of a DAW is that it is easy and efficient to use. It is wise to avoid any software that will eat away at your productivity. It’s also important to pick software with your workflow in mind. Some programs offer a lot of flexibility at the expense of ease of use, and others offer a straight-forward user experience at the expense of customization. If you’re the kind of person that likes to learn all of the shortcut keys to your programs and customize the layout of the various windows, you will likely prefer a different DAW than a person who likes a more intuitive experience.
With that in mind, lets go over the pros and cons of some of the more popular DAWs:
Fully capable DAW available for both Windows and Mac OS X.
The newest version is now a 64-bit application, which can mean faster processing.
Much lower upfront cost ($19.99/month for the software and the Creative Cloud membership)
Ability to pay for the software only when needed
Includes 20GB of cloud based storage.
You do not own a copy of Audition; $19.99/month only buys you a license to use the software for that month.
Your monthly payments will eventually eclipse the one time fee you would pay for other software on this list.
You have to depend on Adobe’s pricing policy; with other software you can choose not to upgrade if the cost is too high – you can work with your older version for many years. Creative Cloud requires you to pay for the subscription no matter how high the price rises.
The Verdict: The software itself will surely meet your audiobook production needs. The way you feel about Adobe Creative Cloud will determine if this DAW is right for you.
Has all of the tools needed to master your audio, as well as perhaps the best noise reduction tool of any DAW on this list.
Allows for batch processing of files, which will save you time and effort when mastering.
Allows you to set custom keyboard commands.
User friendly and easy to learn (includes numerous “show me how” tutorials).
Mac version doesn’t include some of the most useful feature of the PC version (batch processing, customizable commands).
Uses a large amount of system resources.
At $400, it’s one of the most expensive DAWs on this list.
The Verdict: This software is user friendly and powerful, as long as you’re not on a Mac. Many of Audible Studios’ in-house editors use this to edit and master audiobooks. A good choice, if you can afford it.
A powerful DAW that will work with Windows and Mac OS X.
Capable of meeting all of your audiobook recording, editing and post production needs.
Comes bundled with an Mbox, which will act as your preamp and audio interface.
Includes nearly all of the plugins needed to master your recordings.
ProTools Express doesn’t come with all the plugins you’ll need, specifically a brick wall limiter and noise reduction (though the full, more expensive version does).
One of the more expensive options on this list, though it does include the Mbox.
The availability of many different versions of ProTools may confuse users when making a purchase.
The Verdict: The linked Mbox and ProTools Express is, at $499, a good deal for someone setting up a studio who is in need of both a DAW and a preamp/interface.
Bonus Plugin Recommendations
Should you decide to go with one of the DAWs listed above as not coming bundled with some of the plugins needed to master your audiobooks, we’ve got links to free plugins you can download, courtesy of Audible Studios Post Production Associate Darren Vermaas:
Acoustica Kjaerhus Classics Bundle – Includes a great EQ and Compressor for the low cost of nothing. PC only. (Note that the limiter included with this bundle is not good for your audiobook needs, as it doesn’t have output ceiling control.)
Now that we’ve provided a roundup of some of the most popular options, you can make an informed decision as to which best fits your budget and needs. Keep your eyes peeled for part 3 in our series, which will cover home studio setup, coming soon!