Tag Archives: audiobook narration

We Are Pleased to Announce…

Last month, ACX and Audible Studios teamed up to kick off 2015 with an open casting call to find the voices for two Roxanne Conrad titles: Copper Moon and Exile, Texas. We received over 1,000 auditions, and it was no easy task for Audible Studios’ producers to select just two actors.

But two great actors did stand above the rest, and we’ll wait no longer to congratulate Kelley Hazen and Jamieson K Price for winning the coveted narration contracts! Let’s meet our winners.

Kelley Hazen

Kelley is an Audible Approved Producer who works out of Los Angeles and saw audiobook narration as a natural extension of her acting career. Author Roxanne Conrad raved:

Kelley just leaped out of my headphones with this story, and absolutely everything worked for me … the pacing, her voice, the great voice work that differentiated the characters so completely. I just loved the work.

We spoke with Kelly to get to know the voice behind the upcoming Copper Moon audiobook.

ACX: What compelled you to audition for Copper Moon?

Kelley HazenKelley Hazen: I was intrigued with the Copper Moon storyline immediately; I love music and the idea of possession and spirits. After I read the material provided for the audition I wanted to know more, I wanted to know where the story would go. If it is a story I want to pursue as a reader, I know I will enjoy narrating it.

From the business side, earning/winning an ACX/Audible Studios Open Casting Call title was the next ‘goal’ in my business plan. To work directly with Audible Studios is a great opportunity and I’m really excited about it.

ACX: What inspired your winning audition?

KH: Roxanne Conrad’s smart, funny writing inspired my read. She has a definite rhythm, a cadence to her writing. I knew I needed to embody that in my read. My impression from the audition material was that the winning narrator would be the one who most accurately captured Roxanne’s very specific ‘sound’. There is humor drawn directly from the popular culture, jokes that could only be delivered one way. I practiced those to make sure I had the  correct rhythm. I marked up the script I read from quite a bit – like a piece of music. And I wasn’t afraid while I was recording to go back and re-record to get something just right.

ACX: What advice do you have for those new to voice acting or audiobook narration?

KH:The most important elements in your audio chain are your ears. Hone your listening skills. It’s important to ‘hear’ the author – not just word-to-word, but as an entity, as a total expression. What is the overall milieu they seek to create through their story as it comes to life through your sound? Listen to the quality of your voice. It should be a sound the listener will want to cozy up to for ten or more hours. Listen to the sound of your studio to make sure your recordings are exemplary and your background is silent and worth a listener’s time and money. And most of all, listen for your own authenticity and organic connection to the story.

Listen to Kelley’s winning audition below.

Jamieson K Price

Jamieson describes himself as a “Los Angeles-based actor who has worked around the country on stage, screen, and microphone.” According to Audible Studios Production Manger Kat Lambrix,

Jamieson has a great voice for storytelling, and he gave both of the characters in the audition script the perfect voices and intonations. His pace is just right, and his voice draws you in to the story, wanting to hear more.

Jamieson K Price Photo 1Jamieson joined us to share the story behind his voice acting career.

ACX: How did you get into voice acting?

Jamieson K Price: I was performing in a play right after I finished grad school, and my leading lady was dubbing anime. She brought me into the recording studio and the director felt I had promise. That progressed to working with other directors and in other studios, which led to voice-acting in video games. At the same time I was starting a family and reading aloud to my children, which was wonderful practice. The voice acting provided a flexibility that fit in well with being a parent so I have really concentrated my acting there for the last ten years or so.

ACX: So you’ve done voice over work, but not audiobooks. What made you audition for Exile, Texas?

JKP: I have been interested in doing audiobooks for several years now, but haven’t really focused on it. I love reading, and the challenge of bringing words to life aloud is much of what we do as actors. The tone, the feel of the prose in my mouth, the life I could see in the characters, that was what really compelled me to give it a try.

ACX: How did you prepare to deliver this performance?

JKP: I read the copy and let it sink in, thought about the characters, then did a couple of reads to hear how it sounded. I let it rest for a few days, but continued to turn it over in my mind. Then I came back and recorded several more reads using different intentions and characteristics for the two voices to see what sounded most true. On my final read I tried to just relax, not push anything, and let the story tell itself, kind of get out of my own way. That read sounded honest and had the ring of truth, so I submitted it.

ACX: What advice do you have for those starting out in the VO/Audiobook business?

JKP: Take acting classes! It’s essential to being able to quickly access your emotions and expressing truth. We are all such unique individuals but all too often who we are becomes inhibited as we get older. Acting classes allow you to exercise your imagination, explore all the myriad parts of your personality and awaken truths you never knew you had.

Thanks, Jamieson. Check out his winning audition below.

File Management with Andrew The Audio Scientist

ACX’s resident audio scientist first joined us on the blog last month, when he discussed the theory and best practices for encoding audio. Today, he’s back to discuss the bedrock of any successful audiobook production: file management.

File Backup and Preservation

Andrew_250x320Anybody who has produced a lengthy audiobook will tell you that it can be rather arduous. After hours of prep work, days of recording your narration, and several additional days of editing, QC and mastering, the last thing you want to have happen is a disastrous and sudden loss of all your hard work.

As a former Audible Studios engineer and digital expert witness, it didn’t take long for me to realize the importance of backing up my work. While it may be obvious to some producers that data backup is important, learning file storage and archiving methods appropriate for audiobooks is key to your project’s success. Today, I’d like to go over some best practices i have found from my reasearch on sites like https://www.flashbackdata.com/data-recovery/server-raid-recovery/ for data preservation and how you can help prevent any tragic file loss for your next ACX production.

5 Keys to Proper File Management

  1. SAVE, SAVE, SAVE. Make a habit of saving your work every five minutes. It takes almost no time at all and will ensure that, if data loss occurs, you will be able to recover most of your current work. The keyboard shortcut to save is almost always “Ctrl+S” in a Windows program, and “Command+S” in a Mac program (command is the “⌘” key on your Mac keyboard).
  2. Each chapter’s audio file should be backed up upon completion of each stage of production:
    1. Completed Recording Backup – The WAV or AIFF file containing the completed raw recording of your chapter.
    2. Completed Edits Backup – The WAV or AIFF file containing the completed edits to your recorded audio.
    3. Mastered Audio Backup – The WAV or AIFF audio file created after putting the Completed Edits Backup file through your mastering chain.
    4. Encoded Masters – The Mastered Audio Backup file that has been encoded to MP3 for ACX submission. This is your final, retail-ready audio.
  3. At the end of each day of production, you should make a backup of your DAW session, making sure the filename contains the day’s date.
  4. Each time you make a backup of your work, it is strongly recommended that you store the files in two storage locations. (We recommend doing automatic backups to an external hard drive as well as cloud storage. More on that in a bit!)
  5. Until you are ready to encode and submit your audio to ACX, back up all audio as WAV or AIFF files. No chapter file should be backed up as an MP3 unless it is 100% complete and ready for ACX submission. Making changes directly to an MP3 will lower the audio quality of your final production.

The above practices are important habits to form. Should you ever need to make changes to your files or fix an error found by our audio QA team, having consistent backups at each stage of your production will ensure that changes can be easily committed. For instance, if you master a chapter file only to discover that you want to re-record a particular line of dialog, doing so would be as easy as opening up your chapter’s Completed Edits Backup file and re-recording the line. Without this file, you will be forced to record and master your new dialog to a different file and paste it on top of your old Mastered Audio Backup file. Things can get messy!

Data Storage Options

File preservation is important, but it is undoubtedly a hassle. Luckily, file storage is more versatile, cheap, and reliable than ever before. We producers can take advantage of not just excellent portable hard drives, but specialized software and online backup services as well! We recommend the options below.

Portable External Hard Drive – The easiest and quickest file storage solution is to simply purchase an external hard drive. We love the Seagate Expansion drive series, which has a 1TB option priced at only $64.99. Cheap and easy to use, these drives should be on the shopping list of every beginning ACX producer. However, using it can be a bit clunky, as you must organize all of your files manually.

Backup Scheduling Software – Luckily, there exists software for both Windows and Macintosh platforms that aid file backup. We strongly recommend that Mac users utilize the built-in Time Machine feature on OSX to automatically back up and organize your files on your external hard drive. For Windows, I love the free FBackup by Softland. Both of these tools are easy to use and can be configured to automatically back up your files to external locations every night, or even every time the file is modified.

Cloud Storage – Amazon, ACX’s parent company, knows as well as anyone how important reliable storage solutions are for consumers. AWS, Amazon’s online web storage platform, is the leading “cloud storage” solution on the web. What is cloud storage exactly? In essence, it is a series of interconnected servers which safely handle and store massive amounts of data for customers of all stripes. Amazon provides this service to consumers for free as Amazon Cloud Drive. Upon signing up, all users receive 5GB of free storage! Using Amazon Cloud Drive in conjunction with the free Cloud Drive App, you can automatically back up your files to the Amazon Cloud Drive network without needing to lift a finger. Once you finish installing the Cloud Drive App, simply follow the on-screen instructions to set up your computer for automatic nightly backups.

In following these best-practices, you may save yourself and your rights holder from a potential disaster, and you will be putting your best foot forward by amply protecting both your hard work and your rights holder’s intellectual property.

What is your file management and backup process? Do you use any of the methods Andrew recommends above?

This Week In Links: December 9 – 13

We’re finishing the second-to-last week of “serious” work before Christmas, and we’ve got all info you need to keep the engine running and the creativity flowing. So, head into the weekend with our weekly links, and join us next week for the final stretch of 2014!

For Producers and Rights Holders:

The ACX Holiday Gift Guide – via The ACX Blog – Make your list and check it twice – once for authors and once for actors. We’ve got great suggestions for both camps within.

For Producers:

Multitasking in the Voice Over Studio – via Lance Blair – There can be so much to do at once as a VO, but multitasking may not be the best to get it all done.

7 Deadly Sins of Slating – via Marc Scott Voice Over – Slating your audition is a simple step that is nevertheless easy to get wrong. No need to worry though, Marc’s got you covered.

How Bilingual Voice Actor, Rosi Amador, Achieves the Ultimate Work-Life Balance – via VoiceOverTimes – This extended interview has lots of insight into an important aspect of every VO’s life.

For Rights Holders:

50 Ways Writers Can Prepare for the New Year – via The Huffington Post – Huff Post Books offers a comprehensive checklist for authors as they head into 2014. Print it out, mark them as you go, and see how many you can accomplish next year!

4 Easy Steps To An Irresistible Book Blurb – via Digital Book World – Whatever you call your book’s summary, it’s an important element of your marketing package. DBW’s got you covered in just 4 steps.

An Author by Any Other Name – via CreateSpace – Writing exercises under a pen name, in a different genre or style, can bring a fresh perspective on your day to day writing.

What were you favorite audiobook related links this week?

This Week In Links: December 2 – 6

Head into the weekend by looking back on the best audiobook related links from this past week. Use the links below to educate and inform yourself, and consider the advice in your next ACX Audiobook production.

For Rights Holders:

14 Simple Steps To Ensure Success With Your Writing for the Next 12 Months – via Nick Daws’ Writing Blog – Guest writer Ruth Barringham provides 14 pieces of advice to get authors off to a great start in 2014.

NaNoWriMo is Over, Now What? – via GalleyCat – Did you participate in National Novel Writing Month? Now that your book is done, GalleyCat has your next steps. Note the bonus links to their writing tips at the bottom of the article!

The Self-Publishing Debate: A Social Scientist Separates Fact from Fiction – via Digital Book World – Why do authors publish books? DBW shares in-depth results from their recent survey.

Audiobooks: A “How To” Guide, Featuring Interviews With Producers and Voice Artists – via Jade Kerrion’s Blog – Learn some ACX tips in this engrossing interview with author Jade and her producer.

For Producers:

4 Secrets to Voiceover Acting – via VoiceOverTimes – Jewel Elizabeth shares her takeaways from top casting and studio director Andy Roth’s video interview.

Dreaded Ambient Noise – via VoiceOverPlaza – 25-year broadcast pro dives into the causes of and cures for ambient noise in your recording space.
The Search Is On For Meaning-Laden Words – via Online Voice Coaching –

Meaning-laden words are the words that you must hear to get the gist of the story. Do you treat them appropriately in your narration?

Tell us your favorite link from this week in the comments!

This Week In Links: November 25 – 27

This week’s a short one due to Thanksgiving, but we’re still here to recap our favorite audiobook related links. Check out the info below and have a fun, safe holiday weekend. We’ll see you all right back here next week!

For Producers and Rights Holders:

You Asked, We Listened: Introducing Direct Deposit from ACX – via The ACX Blog – It’s now easier than ever to get paid for making audiobooks on ACX!

The Home Stretch: Get Ready For The 2013 Holidays – Via The ACX Blog – Submit your audiobook productions to ACX by 12/6 to have the best chance of your title going live in time for the holidays!

For Producers:

Acoustical Treatments for your Home Studio – via Edge Studio’s “Whittam’s World” – This informative video from home studio master George Whittam covers soundproofing for home studios.

The Current State of Social Media for Voice-Actors – via Voice Acting in Vegas – Dave Courvoisier shares his on navigating a complex social media landscape for VO’s.

For Rights Holders:

Seven Semi-Productive Ways to Procrastinate (With Bonus Motivational Posters!) – via Quirk Books – Everyone procrastinates while writing, so y0ou may as well tackle some writing related tasks while you do.

The Sound of Your Writing – via CreateSpace – “Turn on your computer microphone, read your story, and listen. It may be weird, perhaps even a little unsettling at first, but in the end, it will help you become a better writer.”

This Week In Links: November 18 – 22

Our links are all about turning negatives into positives this week. Authors can get a new perspective on rejection letters and learn why some books don’t get the reviews they deserve. Actors can learn to correct poor mic placement and find out which foods are voiceover no-no’s. Turn that frown upside down, and check out this week’s batch of links.

For Producers and Rights Holders:

The Home Stretch: Get Ready For The 2013 Holidays – via The ACX Blog – Catch up on our holiday deadlines, tips for ensuring your book passes our QA, and fun holiday marketing ideas.

For Rights Holders:

Why Your Last Book Didn’t Get Reviewed – via The BookBaby Blog – Did you put your heart and soul into writing and launching your last book project –  only to be ignored by the media, critics, and book bloggers? BookBaby tells you how to do it correctly the next time around.

Ask the Writing Teacher: Fifty Shades of Rejection – via The Millions – A no is a no is a no…or is it?

While you Wait: What Authors Can Do While Their Audiobook is Being Recorded – via The Voices In My Head – Actor and author Brian Rollins understands both sides of the audiobook equation, and offers his unique perspective on his blog.

For Producers:

Putting Your Mic Where Your Mouth Is – via Edge Studio’s “Whittam’s World” – Home and pro studio expert George Whittam covers mic placement and more in this informative video.

Speak the Truth: Harnessing Energy in Voiceover – via Bobbin’s Voiceover Sampler – “It’s all about truth and authenticity in voiceover. Of course, your vocal energy is essential to your personal presence on mic.”

Nutrition No-No’s for a Good Voice – via Online Voice Coaching – Dr. Ann Utterback looks at five food and drink landmines that can wreck your delivery.

We’ll see you next week as we round the corner of the final audiobook productions of 2013!

The Home Stretch: Get Ready For The 2013 Holidays

As we near the year’s end and the all-important holiday season, we’re here to remind you of our holiday timelines. We’ve also got some tips that will help you get those audiobook productions produced, approved, and processed by us for sale on Audible, Amazon, and iTunes.

The Deadline

In order to have the best chance of getting your title live and on sale by December 25th, the rights holder must approve the production by December 6th (at the latest). You worry about making the audiobook sound great, and we’ll focus on processing your productions as quickly as possible. Deal?

Tools For Success

Producers: Don’t forget to factor the time your rights holder needs to review your audio, as well as time the time you need to make any changes, into your delivery date. Set yourself up for success by checking out our post on avoiding the little mistakes that may cause your title to fail our QA check. If you’re in need of gear recommendations, read our Studio Gear Series. Also, don’t forget about our Video Lessons and Resources page, which has videos on editing, mastering, and the craft of narration, among others. If you have specific questions, our crack customer care team is ready to help you out at audio@acx.com.

Rights holders: Make sure to set aside time around the due date of your production to listen to your final audio. You can find out how to review it the Audible Studios way here. While your producer is finishing your audiobook production, see our tips on marketing your title, straight from the Audible merchandising team. Our customer care team is here for you as well, at rights@acx.com.

Holiday Marketing Tips

In addition to making sure your schedule is set up to get the most out of this holiday season, you can position yourself for success with these holiday marketing ideas:

  • Bonus content: Create a holiday-themed short story featuring supporting characters from your book. Publish it on your blog or as a Kindle Single through KDP.
  • Giving gifts: Host a Secret Santa gift trade between your fans on your website or blog, but with a twist: all the gifts must be items of significance from your book(s).
  • Interview your narrator: Sit down and chat with the voice of your book(s), and ask them about their favorite holiday memories, the best present they ever received, etc.
  • Basket case: Create gift basket guides based on themes from your book – and make sure your book is one of the suggestions.
  • Season’s greetings: Crowd-source greeting cards inspired by characters or scenes from your book, and host the top three on your site from your readers send to their friends and family.
  • Do some good: Let your fans pick a charity through a poll on your website or Facebook page, and donate 1$ per sale of your title(s).

The Holiday Season…and Beyond!

Finally, don’t forget that January is traditionally a strong time for sales of digital downloads, as gift cards are cashed in and happy hands look to fill their shiny new phones and Kindles. So, get those productions on sale, start getting some good reviews, and make that last big marketing push of the year. Then, get ready to do it all over again in 2014!

And, as always, make sure to follow us on Twitter and like us on Facebook for daily audiobook education and entertainment.

What are your favorite holiday sales and marketing tactics?

This Week In Links: November 11 – 15

There’s no better time than the present for self-improvement. We’ve collected advice from expert authors, actors and producers to start your weekend. Peruse the links below and improve your craft, whether its writing or acting. And make sure to check in next week for more audiobook info!

For Producers:

ACX Studio Gear Series: Home Studio Setup – Part 2 – via The ACX Blog – We gathered top ACX producers and Audible Studios staff to get their advice on setting up a home studio and running your VO business once you do.

The VOICE: When A Narrator’s Trusted Ally Becomes The Public’s Enemy Number One – via Audio Book Narrators – Grammy-winning audiobook producer shares deep thoughts on the actors instrument.

Building Your Own Voice-Over Studio – via Sessionville – Dave Courvoisier offers his take on the basics of setting up a home studio.

Evolution of The Home Studio – via Bobbin’s Voice-Over Sampler – Follow Bobbin as she ponders the best course of action for updating her home studio equipment.

For Rights Holders:

Eight Questions Writers Should Ask Themselves – via The BookBaby Blog – “To help you better understand yourself as a writer, Roxane Gay has come up with eight questions for you to answer.”

Writing Believable Dialogue – via Writers Get Together – A challenging topic for any writer, good dialog is especially important when it comes to your audio version.

Crowdfunding for Self-Publishing Authors – via BadRedHead Media – Justine Schofield of Pubslush covers a creative way to fund your next project.

‘4 Hour Workweek’ Author Tim Ferriss Is Becoming An Audiobook Publisher – via TechCrunch – Bestselling author Tim Ferris shares his thoughts on becoming an audiobook publisher.

What did you learn from this week’s links? Tell us in the comments!

ACX Guest Post: Wendy Lindstrom on Writing For Audio

Known for the riveting emotional power of her work, award-winning author Wendy Lindstrom has found a perfect home in digital audio on ACX. Masterfully crafted for audiobook format, her bestselling Grayson Brothers series captivates listeners and is fast becoming an audio 5-star favorite. Today, she shares her ten tips on writing for audio.

Writing with Audio in Mind

The audiobook world is experiencing explosive growth, which presents a huge opportunity for authors to gain new readers and to create a potentially lucrative income stream. Writing for audio is an exciting new world that begins and ends with a great book. Preparing your manuscript for digital format requires some time and thought up front, as I quickly discovered.

Wendy Author Photo pds copyright

ACX Author Wendy Lindstrom

Since June of this year, I have been working with a talented producer (Brick Shop Audiobooks) and actor to bring my Grayson Brothers series to audiobook via ACX.

Creating my title profile on ACX was a breeze, but auditioning narrators and working with a talented actor to create character voices and to bring my books to audio has been an incredible journey. I learned that writing for audio puts you in the driver’s seat. You’re in charge—and you’re responsible. Having control of the product and the creation process can be both heady and terrifying.

If you would like to see your work in audio format, here are 10 tips I wish I had known before I started the process.

Ten Tips to Improve the Audiobook Experience—For You and Your Readers

  1. Open with dialogue and action, if possible. Long narration can get boring fast. (I ought to know. After listening to the first fifteen minutes of The Longing, I cut most of the first chapter for this very reason!) Reading text is a very different experience than listening to those same words as an audiobook.
  2. Create descriptive tags that keep your readers from getting lost. Use tags to clarify who is doing the action or experiencing the emotion, especially in scenes where characters banter back and forth quickly or for long stretches. Without good tags, listeners must depend on the vocal skill of the narrator to differentiate characters. Not an easy task with two or three characters of the same gender in a scene. Listen to samples from other audiobooks and evaluate what works and what doesn’t.727tpe4761sf5cg11374614520830
  3. Ensure that your author voice is evident in your sentence cadence and phrasing. You might have heard the adage, “If it’s not on the page, it’s not on the stage.” This holds true in the audiobook world as well. The stronger your voice comes through on the page, the better chance your narrator will create something close to your vision of your book. The same is true for your character’s voice. If your protagonist speaks with a raspy, seductive voice, get that on the page. Envision how you will convey this information to your narrator and put it in your book. These are all tips your narrator will use when creating character voices and recording audio. Listen to superb character dialogue from The Longing for an example. 
  4. Limit the number of characters in a scene, or limit how many of those characters speak in that scene. In Kissing in the Dark, there are nine female characters conversing in a scene! My mistake. Thankfully, my talented narrator was able to pull this off, but I guarantee I won’t be doing this again.
  5. Maintain a balance between narration, dialogue, and inner monologue in order to keep the listener engaged. See tip #1.
  6. Make each word count. Words carry more weight when read aloud. A good voice actor can raise your story to a higher level, but don’t depend on your narrator to act or convey the level of emotion you imagine for the scene. Your words must create that impact. A skilled narrator will make those words sing.
  7. Beware of character accents and localized speech—use judiciously. A narrator must read those lines, and the results might be far different than you desire. Listening to characters with very heavy accents can be confusing and grow tiresome.
  8. Read your work aloud to pinpoint areas needing clarification and to eliminate choppy writing.uln8ne5nvavw7alt1374620097444
  9. Complete all revisions on your book project before uploading to ACX and seeking auditions from narrators. It can be confusing and difficult to swap out your manuscript and sales copy once production begins. Plus, for Whispersync for Voice your e-book must closely match the audiobook. If you revise more than a word here and there, you’ll need to upload a new e-book file that matches the revised audiobook.
  10. Manage your project budget through book length. Writing a shorter (but not too short) book will require less money to produce in audio format, which may enable you to get into audiobooks sooner. There is always the royalty share option to consider, but that is for another post.

I hope these tips help make your entry into the audiobook world a little easier. It’s a great place to be—it’s a place you want to be.

Read more about Wendy at www.wendylindstrom.com.

Do you write with audio in mind? Tell us in the comments!

This Week in Links: November 4 – 8

Are you participating in NaNoWriMo? National Novel Writing Month is is a fun way to approach to creative writing. Participants begin writing every November 1st with the goal of finishing a 50,000-word novel by 11:59 p.m. on November 30. Whether you’re an author embarking on their NaNoWriMo novel or an actor hoping to produce one of the completed books, we’ve got tips and tricks to help guide you.

Check out the links below, and join us next week for more audiobook action.

For Rights Holders:

After the Audiobook is Done – An Author’s Guide to What’s Next – via The Voices In My Head – Author and voice actor Brian Rollins talks what to do after your audiobook is completed.

Website Tips For Authors – Via The BookBaby Blog – BookBaby’s sister site, HostBaby, is all about online resources for creatives, and they’ve rounded up their best tips of the month in this handy post.

Author Success – The Laws of Sowing and Reaping – via Kristen Lamb’s Blog – “We get out of life what we put into it. We will get out of our writing what we invest.”

Get More Twitter Followers in 6 Minutes a Day – via CreateSpace – Quick and easy tips for authors looking to build their Twitter fan base.

For Producers:

How Keeping a Diary Can Help You Book the Job – via Backstage – “So much effort goes into getting the job that keeping a diary or a journal of all your auditions will help you see your progress in black and white.”

Task Manage the Goldilocks Way – via J. Christopher Dunn’s Voiceover Blog – Juggling lots of VO tasks? J.Christopher will tell you how to get it “just right.”

Fascination: A Voice Talent Necessity – via Life on The Voiceover List – Randye Kaye explains why fascination is a key component in life and as an actor.

How to Sound Sexy, According to the Women Who Narrate Audiobook Erotica – via The Cut – New York Magazine’s “The Cut” blog interviews some of our favorite actors on the art of talking sexy.

Did we miss any of your favorite links from this past week?