ACX Producer Anna Parker-Naples was a classically trained actress with a career on the rise. But when family and health concerns threatened to derail her dream, she turned to voice acting as a way to continue to getting work and making use of her acting skills. Now she’s an accomplished audiobook producer with nearly thirty titles under her belt in less than two years. Read on to learn how she turned a challenging situation’s silver lining into a fulfilling new career.
The Silver Lining: Audiobooks
My path into audiobook narration and production has been unusual. You never know what life will throw your way, and I am a firm believer that in every cloud there is a silver lining. For me, it turned out audiobooks were just that.
I trained in London with The Actors Company as an actress, and worked predominantly in theatre, touring nationally and internationally including performing at the RSC’s Royal Shakespeare Theatre, until I took a break to have children. My third pregnancy was very difficult, and I found myself in a wheelchair, not knowing if I would ever walk again. I had worked on occasional high-profile short-form voice overs during my acting career, (including work for Aardman Animations and the UK’s main children’s television channels, CBeebies and CiTV) and an audio producer friend mentioned that since technology had changed so dramatically in the past few years, many voice actors could now work from home to create professional quality audio. It was a light-bulb moment for me. I knew I could make a success of voice over work and perform that way even if I remained in a wheelchair for the rest of my days.
My lovely husband set about building me a booth, and I set about learning everything I could about the voice over industry – how to record and edit, how to promote myself, and all that jazz. I found I was quickly establishing myself as one of the leading young British female voice over artists, creating commercial and corporate audio for many top international brands. And most importantly, my health recovered. I think chiefly because I had work that I could be passionate about and could put positive energy into.
As my kids grew, I realised that I would one day want to return to acting, and thought that audiobook narration would be a great way to cross that bridge. After submitting a reel, and rigorous auditions, I was selected to narrate for the UK charity the Royal National Institute for the Blind, and soon found that I fell in love with narrating audiobooks. I discovered that it is an art form in itself, and that performing in this field provides a tremendous amount of creative satisfaction. As a narrator, you get to paint the whole picture yourself – you are all the characters and often the engineer and director as well, so it feels like your creative baby, which is so different from stage and screen work. I also found it so much more gratifying than the short form VO commercial work I was doing, as I could really get my teeth into telling a story. This narration business seemed like a great fit for me, and I quickly went on to work for other mainstream audiobook producers in the UK, and have now completed 28 titles in just under 18 months.
Since March of 2014 I have completed 11 audiobooks through ACX, with 4 more on the way. I love the creativity narration allows me, and the freedom I have to pick and choose which titles I get involved with when I use ACX. I specialize in Young Adult, Historical Fiction and Romance, and there are some great stories for me on the site. I have a young family, and working from home means I am always there for school pick-ups and can still bring to life some fascinating characters and tell absorbing stories. At the start of my acting career, this would not have seemed an obvious choice to me, but I am delighted to have found my way to being an audiobook narrator.
Check out Anna’s ACX profile here.