Home Studio Setup with Andrew the Audio Scientist

Welcome to the latest musings from Andrew the Audio Scientist. Today, I’ll be addressing the most essential component of a successful ACX audiobook production: constructing a home recording studio. You may be surprised to find how clean and clear your narration can sound after implementing just a few of the techniques and products below into your own studio setup. Let’s take a look at the two main aspects of a solid studio arrangement.

Andrew_250x320The Room

The most important consideration when building your home studio is its location. The ideal recording space dimensions are rectangular (NOT square), with low ceilings and 90º corners. Closets and other enclosed spaces make perfectly great recording spaces after implementing a few basic room treatments.

Reflection absorption materials, such as the ones detailed on the ACX Beginners Amazon Wish List can make all the difference. The primary reflection points that should be addressed are any surfaces behind the microphone and on the side walls, at a distance exactly half-way between your sitting position and the microphone stand. If you want to go the DIY route, the same effect can be achieved by hanging your old winter coats on the walls, or even throwing up moving blankets where clothing is not an option. The idea is to use fabrics that are thick and provide ample absorption so that once sound hits the material, it stops dead in its tracks.

Isolation is an important consideration for your room, too. An important step in the audiobook production process is the pasting of clean room tone on top of edits and other extraneous noises. Doing so can be greatly inhibited, though, by a non-ideal recording space. You may find the room tone to be too noisy to affect any real sonic improvements. To combat this and other noise problems, make sure to isolate outside noises from your recording space by hanging blackout curtains at all windows, and insulating your room’s open cracks and crevices. However, note that there are some rooms where even the most expensive room treatments are unlikely to make a big impact.

ACX Recommends:

  1. Avoid installing your studio in large rooms such as kitchens and sun rooms. These will cause undesirable echo and reverberation, and result in a muddy sound.
  2. Small rooms with reflective surfaces like bathrooms should also be avoided, because the porcelain and mirrors will send your voice flying across the room without remorse.
  3. Last but not least, recording outdoors is a big no-no. While the sounds of nature can be pleasant, squawking birds and passing cars are not sounds that belong in audiobook productions.



This is pretty obvious – if you want to record your voice at home, you’ll need a microphone. Not so obvious, however, is the kind of microphone you need to purchase. At ACX, we recommend a large-diaphragm cardioid condenser microphone. These microphones are typically more accurate and clean than other types of vocal microphones, but are also more sensitive to recording mistakes. You’ll need to adhere to some setup best practices to get the most out of your purchase:

  1. Placement – A microphone is best set up at a point no further than 40% away from the front wall. Ideally, the microphone would be placed half-way between the side walls.
  2. Height – Microphones placed at or below mouth-level tend to pick up more “body” of a voice, while placement above the mouth (closer to the nasal cavity) capture a more “bright” and airy sound. However, this is a very personal aspect to studio configuration that is best left to experimentation.

    andrew's blog ratio

    Diagram of a ideal mic placement within a home studio

  3. Distance – It is never necessary to stand the microphone further than 6-10 inches from your mouth. This should help you avoid plosives, but we strongly recommend purchasing a pop filter for your microphone if it does not already come with one. (For you DIYers, you can also construct your own pop filter out of – no joke – some pantyhose and flex tubing, as demonstrated in this Lifehacker article)
  4. Interface – All cardioid condenser microphones require an audio interface that can provide phantom power to the microphone. If phantom power is not provided to the microphone, then it will not work.

ACX Recommends:

One of our favorite starter microphones of this type is the Rode NT1-A, which can be found on the ACX Beginners Amazon Wish List. The NT1-A kit available on Amazon comes with a pop filter and all of the mounting hardware needed to get started. This, in conjunction with the Blue Icicle XLR-to-USB microphone interface and a solid microphone stand, provides an excellent starter ACX production system.

Following these basic rules for home studio setup will allow you to transform the appropriate area of your living space into a great sounding vocal booth. Check out Part 2 to see and hear examples of some real-life Audible Approved Producers home studios.

17 responses to “Home Studio Setup with Andrew the Audio Scientist

  1. Andrew, concerning the room size for the booth, you mention it’s better to have low ceilings. This is a confusing aspect for me (and it seems others), since there are a lot of professionals out there that suggest ceiling height isn’t necessarily important, as long as it’s treated. For example, some say 8′-9′ ceilings are fine. What are your thoughts? Thanks! – Al

  2. Andrew, nice and concise article. I like the included wish list to help folks find what they need easily!

    To be clear to the readers there is a lot more to tuning a closet correctly so that it doesn’t sound like a closet, namely in terms of bass-trapping. Also, low ceilings are generally undesirable as they provide another reflection point and increase low-frequency resonance in a small room. Ceilings are a great place to install a “cloud” or other form of bass trap, so a high ceiling allows space in which to install one without wasting valuable elbow room.

    One last tip, in small spaces, mic placement is ever more crucial, and must be rather close to tune out the room’s negative effects. I find a distance of 3-6″ max and shifting the mic 3″ to one side of the mouth is very helpful at avoiding plosives and providing a clear view of the script.
    And if anyone wants private consulting, come by and see me at vostudiotech.com

  3. What about computer requirements? How much RAM is needed and how big does the hard drive need to be?

  4. What is a good-for-the-money interface for beginners?

  5. What is the exact reasoning behind the 40%-60% placement of yourself and the mic between the front and rear walls of the studio? And how important is it to adhere to those exact dimensional proportions? Reason I ask: as I am working to construct my booth, I have some possible limitations due to the size of the surrounding room. If there is some flexibility in those proportions without risking hurting the quality, it might make my situation easier to work with.


    • Hi Nathan,
      I know I’m about 5 years late, but did you ever find the answer to this? I am planning on building a booth and was hoping to make it squared until I found this article. Why is a rectangular booth better than square?

      Thank you,

  6. If you plan to record vocals or live instruments, you’ll need at least one microphone. Most microphones record certain instruments and sound types better than others.


    • Jason Van Eman, if you were responding to me, thanks for taking the time!

      Actually, since this is for VO & audiobook work, it’s just my vocals and no instruments.

      Still haven’t found any other reference to these dimensions with mic placement…..

  7. Included in you microphone recommendations, is the suggestion that a Blue Microphones Icicle XLR to USB Mic Converter/Mic Preamp be used in my system. My microphone is connected directly to a Scarlett 2i2 mixer. Signal then goes to my Audacity software. Given this, do I still need the Icicle device? If so, how should it be connected?


    Robert Davis

    • Hi Robert,

      The Icicle’s function is to act as a portable pre-amp/USB converter. Your Scarlett 2i2 also does this, albeit with more inputs, outputs, and higher quality pre-amps. There’s no need to use a Blue Icicle since you have the Scarlett. Your Scarlett also has L/R outputs so you can hook up a pair of monitors. The Icicle does not have this capability. If you own an Icicle, it’ll be a good backup if your Scarlett ever malfunctions or you’re recording on the go; the Icicle is very portable.

      – Alex

  8. Pingback: I Want My Book to be an Audiobook. Now What? - Around the Writer's Table

  9. A Different Voice

    Good Afternoon,
    I have been working on an audiobook to upload to ACX and happen to see a posting on here from 2013 that said Garageband would not have the tools for the mastering process. This is the only software I have so I wanted to find out if this is still true ? I used Garageband to record the first chapter. I rather find out now. I had seen online where others claimed to use Garageband and pasted the AXC quality check. Thank you for any input you can give me.


  10. I need help with the voice narration acting craft. I am a reading teacher and have read aloud to kids for years, but this is challenging. Any free or low cost online coaching out there for voice acting/ narration that you know of? Thanks

  11. Hello Andrew, How do I adjust a high RMS file? In ‘layman’s’ terms please. I use Audacity w/ compression, soft limiter, equalization and normalization. What settings should I have these at to meet the ACX audio requirements?
    Thank you,

  12. Hello Andrew, I am investigating entering this field. Many of the Amazon Wish List items are no longer sold/available. Could you update? Many thanks,

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