Audiobook Advice from Hall of Fame Narrators—Part Three

This week, four ACX Producers who are among the 20 inaugural inductees into Audible’s Narrator Hall of Fame join us to share their reflections and advice for their fellow narrators and producers. Today, Luke Daniels offers his thoughts.

Hall of Famer Luke Daniels

For almost a decade, I have been blessed to become a small part of the audiobook industry, and now I am extremely honored to be selected for Audible’s Narrator Hall of Fame. I want to share this recognition with every other narrator, producer, proofer, casting director, designer, sales rep, engineer, and listener who labors in their own significant way to bring these stories to life. It’s all of us who have made this industry what it is today, and I am lucky to count myself among your ranks. As for Audible, thank you for being the lighthouse as we discover this new world.

Choice is the lynchpin of any journey, and I’ve been asked to share some of the decisions that I believe helped get me to this point.

  1. Listen to audiobooks! Listen to other narrators. Talk to people in the industry and listen to what they have to say. Gather information like its oxygen. Learn about all sides of the business. You’re not just a talk-monkey. Well, you are, but become a better one by being aware of what’s happening in the audiobook industry.
  2. You are your product. Tend to yourself. As a performer, your body is your instrument. Sitting still with intense focus in front of a screen is not great for our physical or mental health. Do other things. Get out. Experience life. It will inform you as a performer and help make you a more well-rounded product.
  3. Market yourself. Put yourself out there. Take chances. Build a fan base through social media. Help out your peers in the industry. Lift each other up, and we all rise to the top.

Thanks for all the hours of listening and for this incredible honor. I am truly grateful.

Want even more Luke? Read his recent Storytellers post, or find him on ACX, Facebook, Twitter, and—of course—Audible.

Get more advice from hall of fame inductees here, and join us on Friday for the final installment of our series, featuring Simon Vance.

Audiobook Advice from Hall of Fame Narrators—Part Two

On Sunday, as part of their 20th anniversary celebration, Audible announced the inaugural inductees of the Narrator Hall of Fame. This week, four ACX Producers receiving this honor are sharing their reflections and their advice to future inductees. Today, we’re joined by Scott Brick.

Hall of Famer Scott Brick

Being told I’ve been elected to Audible’s Hall of Fame is easily the most surreal experience of my life. As a sports fan, I’ve grown up in awe of the men and women worthy to be designated Hall of Famers, but never anticipated the possibility of it happening in my life. And while I don’t feel even close to worthy, I am nevertheless grateful, hugely grateful for the honor. Like my peers, I didn’t come into this industry for accolades. We work in isolation, after all, reading alone in a room, unconnected to the listening audience.

And in some ways, I try to maintain that isolation. I think it helps me, I think it can help all of us. Don’t get me wrong, I love a nice review like anyone else, but I try not to read them, because good or bad, they’re one person’s opinion. If you’ve spent any time in Hollywood, you’ve likely heard the saying, “Oh, he believes his own press.” Staying away from listener reviews or blog sites keeps me from doing that, but also protects me from getting bogged down by negativity.

Yes, ours is a profession that relies heavily on self-promotion, so it’s a fine line to walk, but I try to navigate it as best I can. I will absolutely post the occasional rave for a project I’ve worked on, but I do so primarily to help publicize the book, as well as to honor the author and the publisher, and show my appreciation for the faith they’ve shown in me. That’s both good manners and good business. Beyond that, though, I try not to pay attention. While speaking at a conference a few years ago, a fan approached me on the street and asked how many narration awards I’ve won, and I told her truthfully, “I don’t know.” I kinda don’t want to know, you know?

When I was in my twenties I got the chance to work with a well-known actor, and in a quiet moment I asked him which of his many roles was his favorite. His response? “My next one.” That taught me a valuable lesson and has been an example I’ve tried to follow. I have never once forgotten what it felt like to walk into Dove Audio in Beverly Hills all those years ago for my very first narration job—on June 10, 1999; yes, I wrote it down! Although I had already booked the job, I nevertheless knew that my work in the studio that day was an audition: I was auditioning for my next job, and I have been ever since.

Thank you, Audible. It’s been a lovely twenty years, and I am deeply grateful.

Scott Brick can be found at ScottBrick.net, and you can listen to one of his 683 audiobook roles on Audible.

Tomorrow, ACX Storyteller Luke Daniels stops by to share his thoughts.

Audiobook Advice from Hall of Fame Narrators—Part One

On Sunday, as part of their 20th anniversary celebration, Audible announced the inaugural inductees of the Narrator Hall of Fame. The 20 members of this founding group were chosen by a panel of passionate listeners at Audible who spent many, many hours deliberating the merits of hundreds of talented performers based on the caliber of their work, the breadth of catalog, and listener feedback.

Among the honorees? Four ACX Producers! This week, they are sharing their reflections on the honor, and their advice to future inductees. Today, we kick things off with ACX University alumna Andi Arndt.

Hall of Famer Andi Arndt

When I got the call informing me that I had been voted into the inaugural “class” of the Audible Narrator Hall of Fame, I was in shock. I have only worked in audiobooks for the latter half of Audible’s 20 years. My fellow inductees have been, and continue to be, my role models, my teachers, my mentors. To be included among them is the highest honor I can imagine.

When I look back at the things that made a big difference along the way, a couple come to mind.

  1. Surround yourself with people who support you and believe in you. My dear husband Chris bought me a Dell Media Center computer for Christmas back in the 1990’s, and said he thought maybe I could use it for a home studio. That gift got me thinking about starting my own business, and along the way Chris and my daughters gave their blessing and encouragement as I traveled all over the country for workshops, conferences, and recording sessions, and as my increasing working hours complicated our family schedule. I know from talking with some of my coaching students and colleagues that not everyone has that kind of moral and financial support, and I absolutely do not take it for granted. This advice applies to people you hire as well; when I asked our family’s former tax accountant some questions about the tax implications of my then-new small business, he said “ask me that when you make over $10,000.” I felt like I’d been patted on the head and dismissed. We now have a great accountant who takes our questions seriously and helps us plan for the future with an eye toward growth.
  2. Show up for stuff. Go to workshops and keep up with your classmates and teachers. Go to industry events, big and small, a few times a year. Don’t worry about immediate results; focus on getting to know people that you will learn from and work with for years to come. You can do a lot from your home studio, via social media and email, but until you show up in person and start getting to know your clients and colleagues as people, you’ll have a hard time feeling as though you truly have access to the information and connections you need to get where you want to go.

Best wishes to you in your professional endeavors, and please join me in congratulating Audible on their two decades bringing the spoken word to ever-increasing audiences. Congratulations also to my fellow Narrator’s Hall of Fame inductees. Here’s to the future!

Andi Arndt is an Audible Approved Producer who’s voiced more than 180 titles on Audible. Find her on ACX, Facebook, and at her website.

Join us tomorrow for thoughts from our second Hall of Famer, Scott Brick.

This Week in Links: November 6 – 10

For Rights Holders:

Book Promotion: Do This, Not That – November 2017 – via The Book Designer – This week, honesty is the best policy. Learn the right ways to drive your sales organically source authentic reviews.

18 Ways To Promote Your Book – via BookMarketingBuzzBlog – Here’s an easy assignment for you: pick a few suggestions off this list and put them into practice for your audiobook.

8 Things You MUST Do When Your First Book Is Launched – via Writer’s Digest – Just about all of these tips work when launching your audiobook too! Just remember to enjoy first.

Setting Goals – via CreateSpace – “You can’t develop a marketing strategy until you define what will make your marketing efforts a success.”

For Producers:

More Relief for Your Voice in Stressful Times – via Dr. Ann Utterback – Pair with part one of this series, and you’ll get the full scope of advice as we approach harsh weather and a potentially stressful holiday season.

Ask: ‘I’m A Voice Actor – But Why?’ Understand That To Grow Your Career – via Voice-Over Xtra – “Answering the question of “Why” will help us learn how to distinguish ourselves from everyone else. And it can lead to knowing what we can specifically do to achieve this vague notion of individualism. ”

Why You Flunked That Audition – via Dave Courvoisier – CourVO offers some insight on why you may not get the part – and it might just be in someone’s head.

ACX Storytellers: Luke Daniels – via ACX – Follow this multi-award winning voice’s path to success, and find some great advice along the way.

ACX Storytellers: Luke Daniels

Old school meets new school with ACX producer Luke Daniels. Beginning his narration career with Brilliance Audio in 2009, Luke kept his ear to the ground and rode the wave of home studio expansion to find success producing audiobooks for major publishers and ACX Rights Holders alike. Luke’s hard work has paid off with 13 Audiofile Magazine Earphones Awards and 7 Audie nominations, most recently for The Purloined Poodle, written by Kevin Hearne and produced via ACX. Luke joins us today to share his story.

Q: How did you become an audiobook narrator?

A: I was raised in Kalamazoo, Michigan, in an environment of storytelling. Both my parents were actors, directors, and taught theatre, so from the very beginning, the arts spoke to me. I loved movies, plays, music, and visual arts. But most of all I loved stories. Books, comics, 50s radio dramas…I absorbed it all. My undergrad years were spent exploring storytelling through film production/interpretation, literature, and theatre. I got my Master’s from the University of Connecticut in Performance. But it wasn’t until I recorded my first audiobook that I felt that old connection to a story told solely through words and voice. I knew I was taking part in a ritual as old as human beings themselves, and it electrified me.

I got the chance at my first book narration due to a lot of hard work, plus more than my share of luck. My older brother had narrated audiobooks for Brilliance Audio, based in Grand Haven, Michigan, back in the cassette tape days. He was kind enough to pass my name to their casting directors. After I auditioned, they offered me my first book, a backlist John Lescroart title called Sunburn. I was in. But now I had to actually record it…and what the heck did I know?

I jumped in with both feet and I read. But I also listened—to the directors, to the engineers, to other narrators that I met, to the text. I listened to what the authors told me. I listened to the TV with my eyes closed. What images did the voices I heard create in my mind? I listened to people on the street and I used their voices in the books I narrated. I relistened to my books after they were released and shuddered at the choices I’d made that fell flat. I felt exulted in the few moments that felt electric and tried to learn from it all. Listening to my own performances highlighted familiar rhythms and stress patterns I can slip into during narration. This is a clear sign that I’m just reading and not fully engaged with the text. Relistening also showed me times when I went too far with a character and other times when I wish I’d gone further.

In addition to all that listening, I read, and I read and I read some more. The more familiar I became with different genres and authors, the more I started to understand how their stories should be told. Before I knew it, I was recording two books a week for Brilliance.

Luke’s latest Audie-nominated performance

Q: How did you grow your business from that point?

A: While Brilliance and their studio system were fantastic, I knew I needed to diversify to be a viable entity in this emerging industry. But I lived in Michigan. Hemmed in by the Great Lakes, Michigan is known for cherries, beer, and snow days, but it’s no major industry hub like New York or Los Angeles.

I’d heard that my fellow narrators were now able to record for other companies from their home studios and still be home in time for dinner —because they never had to leave home in the first place. From there I slowly began to build my stable by searching out producers at other studios. After working with Brilliance, I was comfortable asking their casting directors for other studio contacts that I could reach out to. Word of mouth through other narrators, directors, and engineers helped, too. I learned that having an easily accessible website where studio producers could listen to my samples was essential. I never made them click more than two buttons to listen to me. When introducing myself, I supplied producers with practicalities right off the bat. Saying “I have my own studio,” or “this is my availability,” gave them answers before they had to ask the questions.

Publishers and producers hired me to record from home. I also continued to record at Brilliance’s studios until they were comfortable letting me take over the reins from my own studio.

Q: What do you wish someone had told you when you were just starting out?

A: 1. “Think before you act.” I’ve always been so gung ho to make my mark that I’ve sometimes been overzealous or guilty of trying too hard. I have to remind myself to take a moment. Breathe. Slow down. Tell. The. Story.

2. “You are your greatest asset.” Trust yourself, but also push yourself out of your comfort zones. Take risks. Have a point of view. Make a choice and commit!

3. “Support other narrators and producers.” We’re all in this together. It’s not a competition. Stats are great. Good reviews are manna from heaven, but none of it is as important as people. From the proofers to the producers, everyone has an equal right to play the game and no one part is more important than the whole: a story well told.

Q: Do you have any other advice for those just getting their feet wet with audiobook production?

A: In addition to courting producers and casting directors, it’s important to develop relationships with your fans and authors. Social media is a boon to us performers, a free marketing tool for our product, audiobooks, but also ourselves. Listeners love a shout-out on Facebook. That small personal interaction can translate into a lifelong fan. Authors love Twitter, so use it to connect with them and promote your work. I use YouTube and Facebook Live as a way to give fans and authors a small glimpse behind the curtain. In an emerging industry like audiobook production, the sky’s the limit.

How can you find your niche and create your own brand? If you are writing to a current or prospective client, take the time to make your emails simple, clear, and to the point, but also find some small way to personalize it. I would say 90% of my interactions with producers/authors is through email. How can you show them you’re not an automaton? It’s difficult to build a strong business relationship with someone you’ve never met in person, but it’s not impossible.

Q: How do you define success in your creative career?

A: When producers, authors, or Rights Holders reach out to me and ask me to do a book without auditioning. Whether or not I take on the project, that is success. That’s someone saying we’ve heard your work, or at least heard of you, and we want you to tell this story. Success is when my previous work is good enough to pave the way for future work.

Q: Do you have a fun hobby or skill unrelated to your audiobook work?

A: I lived and worked in Yosemite National Park for a while and was an avid climber and hiker. I still try to make it out to the mountains at least once a year.

Luke Daniels is the recipient of Audible’s 2012 Narrator of the Year Award. Daniels’ vast repertoire of work ranges from Kerouac to Updike, Nora Roberts to Stephen King, and Michael Crichton to Philip K. Dick. His background is in classical theatre and film. He can be found at http://www.luke-daniels.com/.

 

This Week in Links: October 16 – 20

It’s that time of year again. While you’re prepping for Halloween, we’re prepping for the upcoming December audiobook sales season. For the best chance for your book to be on sale in time for the 2017 holidays, we recommend your titles are approved and submitted to ACX by Friday, December 1, 2017.

Please also ensure your audiobook meets all of our Audio Submission Requirements before submitting, as your title may be delayed going on-sale if our QA team needs to reach out to you with questions. Watch our recent video on passing ACX QA, then check out our favorite links from the past week below.

For Producers:

Study Peter Coyote’s Compelling Narration In Ken Burns’ ‘The Vietnam War’ PBS Series – via Voice-Over Xtra – Listening to the narrator’s documentary and contrasting it against his audiobook performance can be an enlightening exercise.

Voiceovers, Napping, and Meditation – via Tom Dheere – “Whether it’s napping, mediating, exercise, yoga, or reading a book with a warm beverage, at some point during the day you should find time to recharge.”

The One Surefire Way to Find New Clients – via Dave Courvoisier – CourVO offers a surprisingly simple directive, for those willing to put in the effort.

The Agony Of Ignorance – via Paul Strikwerda – Read Paul’s advice for achieving “unconscious competence,” and why it’s better in the long run not to get spoon-fed easy answers.

For Rights Holders:

Book Promotion: Do This, Not That – October 2017 – via The Book Designer – Instead of hoping your friends will leave glowing reviews of your (audio)book, learn how to earn reviews from motivated readers and listeners.

Opinion: How Indie Authors Can Stop Worrying and Learn to Love Book Marketing – via Alli – “You wrote the story you needed to tell – now you need to ensure the people who need to hear it have the opportunity to do so.”

Utilize Your Blog as a Powerful Marketing Tool – via The Write Conversation – “A blog post infused with personality, well-written content, and benefit to the readers can cause them to follow your blog or explore your website. But first, you have to get them interested in your post.”

Using Physicality to Bring Your Characters (And Your Fiction) to Life – via Writer’s Digest – Add this one to the “give your narrator something awesome to say” folder.

This Week in Links: ACX University Edition

Yesterday, we wrapped up the 2017 semester of ACX University. This year’s event featured audiobook production, publishing, and marketing advice for ACX authors and actors. We broadcast enlightening conversations with bestselling authors, Audible Approved Producers, and the top minds from ACX and Audible Studios. You can watch all episodes below, and subscribe to our YouTube channel to get notified about future ACX videos.

For Producers:

Performance Perfection: Go Behind the Mic – via ACX – In this episode, Sarah Mollo – Christensen performs passages and receive corrections from award-winning director Kat Lambrix.

How to Pass ACX QA Every Time! – via ACX – In this episode, David and Brendan from the ACX QA team discuss editing, mastering, and spacing issues, causes and treatments for each issue, and some fixes for after the fact.

Ahead of the Curve: Prospecting for Pros – via ACX – Audible Approved Producers Steven Jay Cohen and Neil Hellegers share their secrets for how to maximize their profit and time by finding great projects both on and off the ACX platform.

Beyond the Booth: Monetizing Your Voice – via ACX – Join us for a discussion featuring Andi Arndt and Carin Gilfry on how conferences, voiceover coaching, and performance awards can help you boost your bottom line.

For Rights Holders:

Peace, Love, & Understanding Your Audio Partner – via ACX –  Join us as we talk to publishing duo Piers Platt and James Fouhey, an author and narrator who’ve created eight audiobooks together.

The Life of an Audiobook Publisher – via ACX – Follow bestseller Kym Grosso through the process of creating an audiobook from scratch, all the way to completing the finished audiobook.

If You Market, They Will Listen: Marketing 101 – via ACX – In this session featuring bestselling author Lauren Blakely and author marketing consultant Kate Tilton, you’ll learn audiobook-specific marketing tactics to attract reviews and sell more copies.

The Elements of a Well-Reviewed Audiobook – via ACX – Paul Stokes of AudiobookReviewer.com and Robin Whitten of AudioFile Magazine discuss  how they choose which audiobooks make their listen lists. From the performance to the cover art, they’ll share how to improve your submission and improve your chances of receiving reader and professional reviews.

 

Check Your Production Before You Wreck Your Production

Did you tune in last night for How to Pass QA Every Time, the fourth episode of ACX University 2017? David and Brendan from the ACX QA team joined us to discuss the top reasons your audiobook productions may get flagged during our QA process, how to avoid these errors, and what you can do to fix them after the fact. You can watch the full episode below, then check out our QA checklist that you can use to finalize your productions before hitting “I’m Done!”

The ACX QA “Top Five” Checklist

1. Properly Edit Your Audiobook

Here are some ways to set yourself up for success in the editing stage of your audiobook production:

Record in a quiet, non-reverberant room to minimize background noise.

Make sure there’s enough distance between your voice and the microphone to prevent pops, loud breaths, and unwanted vocal artifacts.

Use a dynamic microphone as opposed to a condenser when recording in a noisy environment. Some popular mic choices in this category include the Electro Voice RE20 and the Shure SM7B.

Use a pop filter placed in front of the microphone to help tame plosives and sibilance.

Learn and use the punch ‘n’ roll recording technique. Recording through an entire chapter in one take will often result in the file containing repeated lines, noises, and breaths that need to be edited out.

Record and save 30–60 seconds of clean room tone to use when editing out noises.

Utilize a QC sheet to identify and resolve any editing issues.

Sounds in your recording that should always be edited out include:

  • Narration with excessive mouth noise and vocal artifacts.
  • Clicks and pops located at the beginning of a file before the performance begins and at the end of a file after you’ve finished recording a chapter.
  • Long gaps of audio silence within the middle of a file.
  • Heavy background noise.

2. Encode Your Files According to ACX Guidelines

Make sure all of your audiobook files meet the following requirements before uploading them to ACX:

No files exceed 120 minutes in length or 170 mb in size.

All files must be recorded at a 44.1khkz sampling rate.

All files must be 192 kbs or higher MP3s, encoded at a constant bit rate (CBR), not variable bit rate (VBR).

All files within a given production must be either all stereo or all mono files.

3. Adhere to ACX’s RMS Requirements

Some tips to help you avoid RMS issues include:

During Recording:

Record at the proper volume. Your voice should peak around -12dB to -8dB. Adjust your pre-amp so that your voice peaks at this level, then keep it at that level. Set it and forget it.

If you need to adjust the level at which you’re hearing yourself while recording, adjust your monitor level, not your preamp.

Use proper mic technique to ensure your performance is within the appropriate volume range.

During Mastering:

Check file level statistics within your DAW to ensure you are meeting the ACX requirements. Group like files together in larger books to make mastering easier.

Use normalization and compression to even out your files. Don’t EQ after compression, as this could affect your final levels.

Keep your monitor level consistent during mastering.

4. Adequately Space Your Audio Files

Make sure you are editing with both fidelity to the manuscript and the listening experience in mind.

During the edit/QC stage, keep room tone handy to use when structuring files.

Leave one half second to 1 second of clean room tone at the beginning and between 1 and 5 seconds of clean room tone at the end of each file.

5. Correctly Order and Structure Audio Files

Ensure that all of your audiobook project’s files have been uploaded to ACX only once each, and in the proper order.

Make sure you’ve included the appropriate chapter/section headers at the start of each file.

Record each section or chapter in a separate track in your project file within your DAW.

Include the file order number along with the section name in your file name. This will help you keep track during upload. Example: 01_Tom Sawyer_Opening Credits.mp3, 02_Tom Sawyer_Acknowledgements.mp3, 03_Tom Sayer_Ch01.mp3, etc.

Print this blog post out and use it as a checklist to ensure you hit all of our QA team’s recommendations. Following the QA team’s advice will put you on the right path to speeding your production to “on-sale,” and will help ensure a satisfied Rights Holder and happy listeners for your audiobook.

 

Introducing the Audible.ca Distribution Channel!

Hot on the heels of announcing ACX opened its doors to Canadian authors, publishers, and narrators, Audible has announced the opening of Audible.ca. This means even more great news for ACX authors, because we’ve automatically enrolled your audiobook in this new distribution channel if you selected Worldwide distribution rights or included Canada as one of your distribution territories on ACX. You’ll continue earning the same great royalties paid monthly, while enjoying readership from a new class of listener.

All aboard with Audible!

Audible kicked off their dedicated Canadian digital storefront with a train trek from Toronto to Montreal, leading with readings of Margaret Atwood’s The Handmaid’s Tale by Elisabeth Moss. Read all about it, or find more inspiration right here: Last week, we concluded Canadian author Susan Hayes’s audiobook diary on the ACX blog.

And what can you do to promote your audiobooks in this new marketplace?  Get ideas at ACX University, now in session, with tips and ideas for creating and promoting award-winning audiobooks.

Have questions? Visit our Help Center for answers.

On the Same Page: Communication for Audiobook Success

Yesterday, we premiered our debut episode of ACX University 2017, Peace, Love, and Understanding Your Audio Partner. Audible Approved Producer James Fouhey, and ACX Author Piers Platt, joined us to discuss their eight-books-strong creative partnership, and the details that go into making it a success both for them and their listeners. Today, they’re back with a recap of the tips you might not have caught on camera. Read on for their perspectives on the critical elements of audiobook production.

On Selecting the Right Narrator for Your Project

ACX Author Piers Platt

Piers: If you’re not already an audiobook fan, listen to samples of top-rated audiobooks in your genre to get a sense for what “good” sounds like, and feel free to reach out directly to some of those narrators to ask them to audition for your book, too.

James: Having a feel for how this medium has worked for other authors will help shape your expectations for your own title in a way that’s achievable for a narrator. It’s best to know what you like and don’t like about audiobooks before the project begins.

Piers: When you post your book for auditions on ACX, look for a narrator with some experience, and if they’ve got film/theater/TV training or credits, that’s a bonus.

James: The more experience a narrator has, the surer you can be that they can sustain the performance in the audition throughout an entire book.

Piers: Listen to all of the auditions that come in yourself, and pick your favorite 5-10. Then have several people you trust (ideally audiobook listeners) give you their opinion on which of those finalists to choose.

James: The more confidence you have in your narrator at the start, the easier it will be to give them the freedom they need to perform. Believing in your narrator’s ability as a professional will help you to collaborate.

On Setting Up Your ACX Title to Attract Top Talent

Piers: When creating your title profile, mention reasons why a Producer would want to work with you—have you published a lot of audiobooks, sold lots of copies, won any awards or accolades? If you have a robust marketing plan in place, if you plan on using the same narrator for the whole series, make sure to mention that as well.

Audible Approved Producer James Fouhey

James: How you go about describing this will help determine how many narrators are willing to put in the time to audition for you. The best narrators are professionals and want to work with authors who come across that way. Also, there’s nothing more enticing than a series audition, as those bring with them the potential to work on multiple books.

On Selecting an Audition Script

Piers: The portion of your book that you select as the audition script should have multiple characters talking and include a pivotal emotional moment. This will give you a sense of how they handle different characters (especially voices of the opposite gender or any foreign accents), how much they emote, whether they convey the book’s “tone,” etc.

James: This is critical. If well selected, the audition script can help you avoid many problems later on. Once you’re in production, re-recording swaths of the book that you’re unhappy with will cost the narrator time and money. Figure out beforehand what it is that you’re most worried about a narrator handling, and find a place for it in the audition.

On Starting—and Ending— the Production on the Right Foot

Piers: Once you select a Producer and agree to a contract, put together a guide to the important aspects of your title. This should include: how to pronounce all proper nouns (names and locations, for example), a short character cheat sheet with clear directions (protagonist should be gruff, but likable…femme fatale should be sultry, with a lower pitched voice for a woman, etc.). Pretend you’re a movie director and you’re giving your cast (narrator) instructions at this stage.

James: This is one of the things that sets Piers apart. He anticipates the narrator’s practical needs, has specific expectations, and gives the narrator tools to achieve them before the work begins.

Piers: Once your Producer has all the information they need, they’ll go off and produce your book. When they deliver the final audio, make sure to review it from start to finish. I like to speed up my file review process by downloading all the files from ACX and then listening to them at 1.25x or 1.5x speed. You can still catch any mistakes that way, but you get through it a lot faster.

James: Piers is great about reviewing the work in a timely manner, which is gratifying after all the care that goes into producing an audiobook. The technique of speeding up the audio for review is one that professionals use in quality control. Be careful speeding it up past 1.25x if it’s your first time.

Thinking of your creative partner’s needs from the outset of your audiobook production will help ensure you collaborate on a great-sounding audiobook that your fans will be excited to listen to. Try these tips for your next ACX production, then come back to the comments below to tell us how they helped.

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